A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxySaintsbury, George
History
A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxy
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
Still more unmixed praise can be given to him from other points of view.
To any scholar his scholarship is singularly refreshing in its
thoroughness and range; he really neglects nothing proper to his
subject, though he may define that subject with a somewhat arbitrary
hand. Agree with him or differ with him as we may, it is an infinite
comfort to be brought thus in contact and confrontation with the actual
texts—to exchange the paper symbols of “the poet,” “the dramatist,” “the
satirist” in the abstract, for sound ringing coin of actual poetry,
drama, satire, told down on the counter, and tested by file and acid if
required. The literary atlas of the _Hypercriticus_ is, as has been
said, the first attempt at a complete thing of the kind since
Quintilian, and of necessity far more complete than his. In fact,
Scaliger taught the school opposed to him—the school which after many a
generation of desultory fighting at last worsted his own—the way to
conquer. History and Comparison—the twin lights of criticism, the only
road-makers across the abyss—are resorted to by him fearlessly. That he
loses the best of their light, and twists the road in the wrong
direction, by following Will-o'-the-wisps like his Virgil-worship,
matters in detail but not in principle. He has practically come back to
the safe way which Aristotle entered, but was precluded from treading
far enough, which Quintilian and Longinus trod, but on which most of the
ancients would not set foot. He has not found the last secret—the secret
of _submitting_ to History and to Comparison; he still looks upon both
as instruments to be used merely under the direction of, and in
subordination to, the purposes of _a priori_ theory. His neglect of the
vernaculars is not only wrong, but by his time absurd. His minor
prejudices (as against Erasmus) are sometimes contemptible. His actual
taste, as has been said, was probably neither delicate nor versatile.
But he has learning, logic, lucidity within his range, laborious
industry, and love of literature. The multitude which followed him
followed him partly to do evil; but it would have been a surprise, and
almost a shame, had so bold and capable a leader lacked a multitude of
followers.
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