A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
Let us hear the conclusion of this whole æsthetic matter. Any man of
rather more than ordinary intelligence—perhaps any man of ordinary
intelligence merely—who has been properly educated from his youth up (as
all men who show even a promise of ordinary intelligence should have
been) in ancient and modern philosophy, who knows his Plato, his
Aristotle, and his neo-Platonists, his Scholastics, his moderns from
Bacon and Hobbes and Descartes downwards, can, if he has the will and
the opportunity, compose a theory of æsthetics. That is to say, he can,
out of the natural appetite towards poetry and literary delight which
exists in all but the lowest and most unhappy souls, and out of that
knowledge of concrete examples thereof which exists more or less in all,
excogitate general principles and hypotheses, and connect them with
immediate and particular examples, to such an extent as the Upper Powers
permit or the Lower Powers prompt. If he has at the same time—a happy
case of which the most eminent example up to the present time is
Coleridge—a concurrent impulse towards actual “literary criticism,”
towards the actual judgment of the actual concrete examples themselves,
this theory _may_ more or less help him, need at any rate do him no
great harm. _Mais celà n’est pas nécessaire_, as was said of another
matter; and there are cases, many of them in fact, where the attention
to such things has done harm.
For after all, once more Beyle, as he not seldom did, reached the
_flammantia mœnia mundi_ when he said, in the character of his “Tourist”
_eidolon_, “En fait de beau chaque homme a sa demi-aune.” Truth is not
what each man troweth: but beauty is to each man what to him seems
beautiful. You may better the seeming:—the fact is at the bottom of all
that is valuable in the endlessly not-valuable chatter about education
generally, and it excuses, to a certain extent, the regularity of
Classicism, the selfish “culture” of the Goethean ideal, the
extravagances of the ultra-Romantics. But yet
“A God, a God, the severance ruled,”
and you cannot bridge the gulfs that a God has set by any
philosophastering theory.[325]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account