A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
appropriate to “Modern” criticism than any other single term. As we have
seen and put from many different sides, the general tendency of ancient
and of Neo-classic critics was always to separate the work as much as
possible from the worker, and (except as regarded oratory and partly
drama) still more from the hearer and reader—this being done for the
freedom of considering it, not so much in and by itself, as in relation
to ideal and _a priori_ schedules of its kind, quality, and appurtenant
rules. There had been partial and half-conscious revolts or declensions
from this in individuals, from Longinus to Castelvetro, and from
Castelvetro to Fontenelle. But Diderot is almost the first person who
habitually, naturally, as a matter of course, isolates the work _with
himself_, considers it in its form and pressure as printed on _him_. And
this is almost, or altogether, a new Covenant of Criticism.
The performance of England here was not so fruitful of great critical
personalities—for her greatest, Johnson, was in intention, though by no
means wholly in performance, on the other side. Nor, though the English
Æsthetics were influential abroad as well as at home, can they be ranked
very high. In the other chief branch, however, of that practical
operation which has been noticed, the rediscovery and revaluation of the
capital of the literature for critical purposes, England takes the most
important position of all—less by the excellence of the workers (though
this was not inconsiderable) than in consequence of the richness of
their material. The French, except from the antiquarian side, were still
neglecting, and even for the most part despising, their own old
treasures, which were themselves scarcely so great as those of England:
and the Germans, though not neglectful of what they had, had less, and
dealt with it in a less thoroughly literary spirit. But Gray, Percy,
Hurd, the Wartons (especially Thomas), and all the painful and
meritorious editors from Theobald to Tyrwhitt, were engaged,
independently in intention, but in fact systematically enough, not
merely in clearing away rubbish and bringing treasures to light, but in
combating the prejudices and doing away with the delusions and
ignorances which had led to the neglect and contempt of those treasures
themselves.
Public-domain text, read in full here on John Shaqi.
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