A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
Of the _Kleinere Philologische Abhandlungen_, which fill the 15th
volume, the curious “Rettungen des Horaz” have been glanced at above.
The opening “Vademecum für Lange,” a vitriolic and practically
destructive retort on that blundering translator of Horace himself, who
had not had the sense to sit down quietly under a severe but not
offensive review of Lessing’s, is one of the capital examples of its
kind—a kind questionable but sometimes to be allowed. The “Anmerkungen
über das Epigramm,” the principal single constituent of the volume,[80]
are very noteworthy. The rest consist mainly of textual and other
animadversions of the kind which we reluctantly leave out here from the
Renaissance downward. The chief are on Paulus Silentiarius, and on that
interesting book the fables of the so-called _Anonymus Neveleti_.
He returns to this in one[81] of the numerous papers of vol. xvi.,
another collection of notes, notices (some of Old German Literature),
and reviews, the last mostly very short and sometimes a little
perfunctory. What might have been the most, and is not the least,
interesting of these,[82] has for subject a German translation of the
first two volumes of _The Rambler_ in 1754. Lessing does not name
Johnson, nor does he seem to know anything about him; but he praises the
Essays highly. Now, if you could have combined the good points of these
two, and “sprinkled in,” as Mambrun might say,[83] a little _furor
romanticus_, it would have been difficult to get a better critical
mixture than the result.
The still further collection of critical miscellanea in vol. xix. is
mostly philosophical or, according to Lessing’s unfortunate later habit,
theological in character,[84] but the long “Pope als Metaphysiker”
deserves mention as at least partially literary and as more than
partially good. Finally, the numerous and not seldom interesting notes
or motes of the _Kollectaneen_ or Commonplace Book published after
Lessing’s death, though they frequently approach or flit round strictly
literary criticism, never, I think, actually constitute it.[85]
[Sidenote: _His attitude to Æschylus and Aristophanes._]
Public-domain text, read in full here on John Shaqi.
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