A History of Domestic Manners and Sentiments in England During the Middle AgesWright, Thomas
History
A History of Domestic Manners and Sentiments in England During the Middle Ages
Wright, Thomas
England -- Social life and customs -- 1066-1485
The minstrels, or jougleurs, formed a very important class of society
in the middle ages, and no festival was considered as complete without
their presence. They travelled singly or in parties, not only from
house to house, but from country to country, and they generally brought
with them, to amuse and please their hearers, the last new song, or the
last new tale. When any great festival was announced, there was sure
to be a general gathering of minstrels from all quarters, and as they
possessed many methods of entertaining, for they joined the profession
of mountebank, posture-master, and conjurer with that of music and
story-telling, they were always welcome. No sooner, therefore, was
the business of eating done, than the jougleur or jougleurs were
brought forward, and sometimes, when the guests were in a more serious
humour, they chanted the old romances of chivalry; at other times they
repeated satirical poems, or party songs, according to the feelings
or humour of those who were listening to them, or told love tales or
scandalous anecdotes, or drolleries, accompanying them with acting,
and intermingling them with performances of various kinds. The hall
was proverbially the place for mirth, and as merriment of a coarse
description suited the mediæval taste, the stories and performances of
the jougleurs were often of an obscene character, even in the presence
of the ladies. In the illuminated manuscripts, the minstrel is most
commonly a harper, perhaps because these illuminations are usually
found in the old romances of chivalry where the harper generally acts
an important part, for the minstrels were not unfrequently employed
in messages and intrigues. In general the harp is wrapped in some
sort of drapery, as represented in our cut No. 117, taken from a MS.
in the National Library of Paris, which was perhaps the bag in which
the minstrel carried it, and may have been attached to the bottom of
the instrument. The accompanying scene of minstrelsy is taken from a
manuscript of the romance of Guyron le Courtois in the French National
Library, No. 6976.
[Illustration: _No. 118. Minstrelsy._]
Public-domain text, read in full here on John Shaqi.
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