The dinner hour, even among the highest ranks of society, was, as I have stated, early in the forenoon; and, except in the case of great feasts, it appears not to have been customary to sit long after dinner. Thus a great part of the day was left on people’s hands, to fill up with some description of amusement or occupation. After the dinner was taken away, and the ceremony of washing had been gone through, the wine cup appears to have been at least once passed round, before they all rose from table. The Camden Society has recently published an early French metrical romance (“Blonde of Oxford,” by Philippe de Reimes), which gives us a very interesting picture of the manners of the thirteenth century. Jean of Dammartin is represented as the son of a noble family in France, who comes to England to seek his fortune, and enters the service of an earl of Oxford, as one of the esquires in his household. There his duty is to attend upon the earl’s daughter, the lady Blonde, and to serve her at table. “After the meal, they wash their hands and then go to play, as each likes best, either in forests or on rivers (_i.e._ hunting or hawking), or in amusements of other kinds. Jean goes to which of them he likes, and, when he returns, he often goes to play in the chambers of the countess, with the ladies, who oblige him to teach them French.” Jean does his best to please them, for which he was qualified by his education, “For he was very well acquainted with chamber games, such as chess, tables, and dice, with which he entertains his damsel (Blonde); he often says ‘check’ and ‘mate’ to her, and he taught her to play many a game:”-- _De jus de cambres seut assés,_ _D’eschés, de tables, et de dés,_ _Dont il sa damoisele esbat;_ _Souvent li dist eschek et mat;_ _De maint jeu à juer l’aprist._ --Blonde of Oxford, l. 399. This is a correct picture of the usual occupations of the after-part of the day among the superior classes of society in the feudal ages; and scenes in accordance with it are often found in the illuminations of the mediæval manuscripts. One of these is represented in the engraving (No. 138) on the following page, taken from a manuscript of the fifteenth century, containing the romance of the “Quatre Fils d’Aymon,” and preserved in the Library of the Arsenal, in Paris. In the chamber in front a nobleman and one of the great ladies of his household are engaged at chess, while in the background we see other ladies enjoying themselves in the garden, which is shown to us with its summer-house and its flower-beds surrounded with fences of lattice-work. It may be remarked, that the attention of the chess-players is withdrawn suddenly from their game by the entrance of an armed knight, who appears in another compartment of the illumination in the manuscript.