A History of Domestic Manners and Sentiments in England During the Middle AgesWright, Thomas
History
A History of Domestic Manners and Sentiments in England During the Middle Ages
Wright, Thomas
England -- Social life and customs -- 1066-1485
[Illustration: _No. 242. Morgan le Fay showing king Arthur the
Paintings of the Adventures of Lancelot._]
There was in the castle of Dover an apartment called Arthur’s Hall,
and another named Guenevra’s Chamber, which have been supposed to be
so called from the subjects of the paintings with which they were
decorated; and a still more curious illustration of the foregoing
drawing is furnished by an old house of this period still existing
in New Street, Salisbury, a room in which preserves its painting in
distemper, occupying the upper part of the wall, like the story of
Lancelot in the pictures of the room of Morgan le Fay. We give a sketch
of the side of this room occupied by the painting in the accompanying
cut (No. 243). It occupies the space above the fireplace, and the
windows looking into the street, but it has been much damaged by modern
alterations in the house. The subject, as will at once be seen, was of
a sacred character--the offering of the three kings.
[Illustration: _No. 243. Wall-Paintings still remaining in a House at
Salisbury._]
The window to the left of the fireplace, which is one of the original
windows of this house, has a deep sill, or seat, which was intended as
one of the accommodations for sitting down. This was not unfrequently
made with a recess in the middle, so as to form a seat on each side,
on which two persons might sit face to face, and which was thus more
convenient both for conversation, and for looking through the window
at what was going on without. This appears to have been a favourite
seat with the female part of the household when employed in needlework
and other sedentary occupations. There is an allusion to this use of
the window sill in the curious old poem of the “Lady Bessy,” which is
probably somewhat obscured by the alterations of the modern copyist;
when the young princess kneels before her father, he takes her up and
seats her in the window:--
_I came before my father the king,_
_And kneeled down upon my knee;_
_I desired him lowly of his blessing,_
_And full soon he gave it unto me._
_And in his arms he could me thring,_
_And set me in a window so high._
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