In the Privy Council some were of opinion that, as Mary could not be regarded as the author of the last plot, but only as privy to it, closer imprisonment would be a sufficient punishment for her. Elizabeth caught at this idea. The Parliament, she thought, might now formally annul Mary's claim to the English throne, declare it to be high treason to maintain it any longer, and high treason also to attempt to liberate her from prison: this would deter her partisans from an attempt then become hopeless, and also satisfy foreign nations. But it was urged in reply, that now to repudiate Mary Stuart's claim for the first time would be equivalent to recognising its original validity; and an English law would make no impression either on Mary or on her partisans. The remembrance of what had happened in Scotland revived again; of Darnley's murder, which men imputed to her without hesitation: she was compared to Johanna I of Naples who had taken part in her husband's murder: it was said, Mary has doubled her old guilt by attempts against the sacred person of the Queen; after she had been forgiven, she has relapsed into the same crime, she deserves death on many grounds.[262] Spenser, in the great poem which has made him immortal, has depicted the conflict of accusations and excuses which this cause called forth. One of his allegorical figures, Zeal, accuses the fair and splendid lady, then on her trial, of the design of hurling the Queen from her throne, and of inciting noble knights to join in this purpose. The Kingdom's Care, Authority, Religion, Justice, take part with him. On the other side Pity, Regard for her high descent and her family, even _Grief_ herself, raise their voices, and produce a contrary impression. But Zeal once more renews his accusation: he brings forward Adultery and Murder, Impiety and Sedition, against her. The Queen sitting upon the throne in judgment recognises the guilt of the accused, but shrinks from pronouncing the word: men see tears in her eyes; she covers her face with her purple robe.