A History of English LiteratureFletcher, Robert Huntington
History
A History of English Literature
Fletcher, Robert Huntington
English literature -- History and criticism
The next year he became engaged in political controversy, which resulted in
the production of his most famous work. Charles II was without a legitimate
child, and the heir to the throne was his brother, the Duke of York, who a
few years later actually became king as James II. But while Charles was
outwardly, for political reasons, a member of the Church of England (at
heart he was a Catholic), the Duke of York was a professed and devoted
Catholic, and the powerful Whig party, strongly Protestant, was violently
opposed to him. The monstrous fiction of a 'Popish Plot,' brought forward
by Titus Oates, and the murderous frenzy which it produced, were
demonstrations of the strength of the Protestant feeling, and the leader of
the Whigs, the Earl of Shaftesbury, proposed that the Duke of York should
be excluded by law from the succession to the throne in favor of the Duke
of Monmouth, one of the king's illegitimate sons. At last, in 1681, the
nation became afraid of another civil war, and the king was enabled to have
Shaftesbury arrested on the charge of treason. Hereupon Dryden, at the
suggestion, it is said, of the king, and with the purpose of securing
Shaftesbury's conviction, put forth the First Part of 'Absalom and
Achitophel,' a masterly satire of Shaftesbury, Monmouth, and their
associates in the allegorical disguise of the (somewhat altered) Biblical
story of David and Absalom. [Footnote: The subsequent history of the affair
was as follows: Shaftesbury was acquitted by the jury, and his enthusiastic
friends struck a medal in his honor, which drew from Dryden a short and
less important satire, 'The Medal.' To this in turn a minor poet named
Shadwell replied, and Dryden retorted with 'Mac Flecknoe.' The name means
'Son of Flecknoe,' and Dryden represented Shadwell as having inherited the
stupidity of an obscure Irish rimester named Flecknoe, recently deceased.
The piece is interesting chiefly because it suggested Pope's 'Dunciad.'
Now, in 1682, the political tide again turned against Shaftesbury, and he
fled from England. His death followed shortly, but meanwhile appeared the
Second Part of 'Absalom and Achitophel,' chiefly a commonplace production
written by Nahum Tate (joint author of Tate and Brady's paraphrase of the
Psalms into English hymn-form), but with some passages by Dryden.]
Public-domain text, read in full here on John Shaqi.
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