A History of English LiteratureFletcher, Robert Huntington
History
A History of English Literature
Fletcher, Robert Huntington
English literature -- History and criticism
OLIVER GOLDSMITH. Next in order among the romantic poets after Gray, and
more thoroughly romantic than Gray, was Oliver Goldsmith, though, with
characteristic lack of the power of self-criticism, he supposed himself to
be a loyal follower of Johnson and therefore a member of the opposite camp.
Goldsmith, as every one knows, is one of the most attractive and lovable
figures in English literature. Like Burke, of mixed English and Irish
ancestry, the son of a poor country curate of the English Church in
Ireland, he was born in 1728. Awkward, sensitive, and tender-hearted, he
suffered greatly in childhood from the unkindness of his fellows. As a poor
student at the University of Dublin he was not more happy, and his lack of
application delayed the gaining of his degree until two years after the
regular time. The same Celtic desultoriness characterized all the rest of
his life, though it could not thwart his genius. Rejected as a candidate
for the ministry, he devoted three years to the nominal study of medicine
at the Universities of Edinburgh and Leyden (in Holland). Next he spent a
year on a tramping trip through Europe, making his way by playing the flute
and begging. Then, gravitating naturally to London, he earned his living by
working successively for a druggist, for the novelist-printer Samuel
Richardson, as a teacher in a boys' school, and as a hack writer. At last
at the age of thirty-two he achieved success with a series of periodical
essays later entitled 'The Citizen of the World,' in which he criticized
European politics and society with skill and insight. Bishop Percy now
introduced him to Johnson, who from this time watched over him and saved
him from the worst results of his irresponsibility. He was one of the
original members of 'The Club.' In 1764 occurred the well-known and
characteristic incident of the sale of 'The Vicar of Wakefield.' Arrested
for debt at his landlady's instance, Goldsmith sent for Johnson and showed
him the manuscript of the book. Johnson took it to a publisher, and though
without much expectation of success asked and received £60 for it. It was
published two years later. Meanwhile in 1764 appeared Goldsmith's
descriptive poem, 'The Traveler,' based on his own experiences in Europe.
Six years later it was followed by 'The Deserted Village,' which was
received with the great enthusiasm that it merited.
Public-domain text, read in full here on John Shaqi.
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