A history of English literature : $b A practical text-bookAlbert, Edward
History
A history of English literature : $b A practical text-book
Albert, Edward
English literature -- History and criticism
Anger is a perfect alienation of the mind from prayer, and
therefore is contrary to that attention which presents our
prayers in a right line to God. For so have I seen a lark rising
from his bed of grass, and soaring upwards, singing as he
rises, and hopes to get to heaven, and climb above the clouds;
but the poor bird was beaten back with the loud sighings of an
eastern wind, and his motion made irregular and inconstant,
descending more at every breath of the tempest than it could
recover by the libration and frequent weighing of his wings,
till the little creature was forced to sit down and pant, and
stay till the storm was over; and then it made a prosperous
flight, and did rise and sing, as if it had learned music and
motion from an angel, as he passed sometimes through the air,
about his ministries here below. So is the prayer of a good
man: when his affairs have required business, and his business
was matter of discipline, and his discipline was to pass upon a
sinning person, or had a design of charity, his duty met with
the infirmities of a man, and anger was its instrument; and the
instrument became stronger than the prime agent, and raised a
tempest, and overruled the man; and then his prayer was broken,
and his thoughts were troubled, and his words went up towards a
cloud; and his thoughts pulled them back again, and made them
without intention; and the good man sighs for his infirmity, but
must be content to lose that prayer, and he must recover it when
his anger is removed, and his spirit is becalmed, made even as
the brow of Jesus, and smooth like the heart of God; and then it
ascends to heaven upon the wings of the holy dove, and dwells
with God, till it returns, like the useful bee, laden with a
blessing and the dew of heaven.
JEREMY TAYLOR, _On Prayer_
4. Explain the references in the following passages. What parts of
Milton’s character and literary works are emphasized?
(1) Nor second he, that rode sublime
Upon the seraph-wings of Ecstasy,
The secret of th’ abyss to spy.
He passed the flaming bounds of place and time--
The living throne, the sapphire-blaze,
Where angels tremble while they gaze,
He saw; but, blasted with excess of light,
Closed his eyes in endless night.
GRAY, _The Progress of Poesy_
Public-domain text, read in full here on John Shaqi.
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