5. What is the object of Swift in the following satirical passage? How does he achieve it? How are the style, figures of speech, and meter suited to his purpose? Compare this extract with that from _Hudibras_ given on pp. 208–9. Which is the wittier and more deadly? How is the superiority gained? Hobbes clearly proves that every creature Lives in a state of war by nature. The greater for the smallest watch, But meddle seldom with their match. A whale of moderate size will draw A shoal of herrings down his maw: A fox with geese his belly crams; A wolf destroys a thousand lambs: But search among the rhyming race, The brave are worried by the base. If on Parnassus’ top you sit, You rarely bite, are always bit. Each poet of inferior size On you shall rail and criticise, And strive to tear you limb from limb; While others do as much for him. The vermin only tease and pinch Their foes superior by an inch. So, naturalists observe, a flea Hath smaller fleas that on him prey; And these have smaller still to bite ’em, And so proceed _ad infinitum_. Thus every poet in his kind Is bit by him that comes behind: Who, though too little to be seen, Can tease, and gall, and give the spleen. _Rhapsody on Poetry_ 6. We give an example of Swift’s prose satire, a passage in which he describes the progress of a political lie. What is the figure of speech underlying the passage, and how does it assist his purpose? Compare this passage with the poetical one given in the last exercise: do the two passages correspond in style, figurativeness, and force? Which strikes you as being the more effective?