In his _Essay on Johnson_ Macaulay has given an arresting description of the miseries endured by the denizens of Grub Street; and in this case even the natural exaggeration of Macaulay is not quite misplaced. We know next to nothing regarding the life of Johnson during this early period. It is certain that it was wretched enough to cause the sturdy old fellow, in after years, to glance at this period of his life with a shudder of loathing, and to quench the curiosity of Boswell with ultra-Johnsonian vehemence. Very slowly he won his way out of the gutter, fighting every step with bitter tenacity; for, as he puts it in his poem of _London_, with all the outstanding emphasis of capitals, SLOW RISES WORTH BY POVERTY OPPRESSED. From the obscure position of a publisher’s hack he became a poet of some note by the publication of _London_ (1738), which was noticed by Pope; his _Dictionary_ (1747–55) advanced his fame; then somewhat incomprehensibly he appears in the limelight as one of the literary dictators of London, surrounded by a circle of brilliant men. In 1762 he received a pension from the State, and the last twenty years of his life were passed in the manner most acceptable to him: dawdling, visiting, conversing, yet _living_ with a gigantic vitality that made his fellows wonder. It is in these latter years that we find him imperishably figured in the pages of Boswell. All his tricks of humor--his bearishness, his gruff goodwill, his silent and secret benevolences; his physical aberrations--his guzzlings, his grunts, his grimaces, his puffings and wallowings; his puerile superstitions; his deep and beautiful piety; his Tory prejudices, so often enormously vocal; his masterful and unsleeping common sense; the devouring immensity of his conversational powers: we find all these set out in _The Life of Doctor Johnson_. =2. His Poetry.= He wrote little poetry, and none of it, though it has much merit, can be called first-class. His first poem, _London_ (1738), written in the heroic couplet, is of great and somber power. It depicts the vanities and the sins of city life viewed from the depressing standpoint of an embittered and penurious poet. His only other longish poem is _The Vanity of Human Wishes_ (1749). The poem, in imitation of the Tenth Satire of Juvenal, transfers to the activities of mankind in general the gloomy convictions raised ten years earlier by the spectacle of London. The meter is the same as in _London_, and there is the same bleak pessimism, but the weight and power of the emotion, the tremendous conviction and the stern immobility of the author, give the work a great value. There are many individual lines of solemn grandeur. The following passage shows all he has to offer to the young aspirant to literary fame: