A history of English literature : $b A practical text-bookAlbert, Edward
History
A history of English literature : $b A practical text-book
Albert, Edward
English literature -- History and criticism
=2. His Poetry.= His _Winter_ was afterward quadrupled in size by
including the other three seasons, and became _The Seasons_ (1730). It
is a blank-verse poem, and consists of a long series of descriptive
passages dealing with natural scenes, mainly those with which he was
familiar during his youth on the Scottish Border. There is a great
deal of padding, and the style is often marked by clumsy expressions;
yet on the whole the treatment is exhilarating, full of concentrated
observation and joy in the face of nature. Above all, it is real
nature, obtained from the living sky and air, and not from books; and,
coming when it did, the poem exerted a strong counter-influence against
the artificial school of poetry.
Thomson also wrote _Liberty_ (1736), a gigantic poem in blank verse,
intolerably dull. It had no success. As Johnson says, “The praises of
Liberty were condemned to harbour spiders, and to gather dust.”
In the last year of his life he published _The Castle of Indolence_,
which is even more remarkable than _The Seasons_. The poem is written
in Spenserian stanzas, and in the true Spenserian fashion it gives a
description of a lotus-land into which world-weary souls are invited
to withdraw. The work is imitative, and so cannot claim to be of the
highest class, but it is an imitation of the rarest merit. For languid
suggestiveness, in dulcet and harmonious versification, and for subtly
woven vowel-music it need not shirk comparison with the best of Spenser
himself. We give three verses of this remarkable poem. Coming at such a
period, and expressing as they do the essence of romantic idealism, the
verses are well worth quoting:
Full in the passage of the vale above,
A sable, silent, solemn forest stood,
Where nought but shadowy forms was seen to move,
As Idlesse fancied in her dreaming mood;
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out below,
The murmuring main was heard, and scarcely heard, to flow.
A pleasing land of drowsy-head it was,
Of dreams that wave before the half-shut eye;
And of gay castles in the clouds that pass,
For ever flushing round a summer sky:
There eke the soft delights, that witchingly
Instil a wanton sweetness through the breast,
And the calm pleasures, always hovered nigh;
But whate’er smacked of noyance or unrest,
Was far, far off expelled from this delicious nest.
Public-domain text, read in full here on John Shaqi.
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