A History of English Prose FictionTuckerman, Bayard
History
A History of English Prose Fiction
Tuckerman, Bayard
English fiction -- History and criticism
Against the grosser faults of immorality and indecency Steele and
Addison preached. But even they were insensible to an elevated view of
the relations between men and women. Such a view was, however, taken by
Defoe; a man whom Steele and Addison, as well as the polite world in
general, looked upon as an adventurer, and one whose opinions on social
subjects they disdained. "We reproach the sex every day," wrote Defoe,
"with folly and impertinence, while I am confident, had they the
advantages of education equal to us, they would be guilty of less than
ourselves. * * * I cannot think that God ever made them so delicate, so
glorious creatures, and furnished them with such charms, so agreeable
and so delightful to mankind, with souls capable of the same enjoyments
as men, and all to be only stewards of our houses, cooks, and
slaves."[129] Defoe stands almost alone in his remonstrance against the
neglect of female education. But he stands more isolated still in his
appreciation of womanly virtues, and in the enthusiasm with which he
could speak of them. "A woman well-bred and well-taught, furnished with
the additional accomplishments of knowledge and behavior, is a creature
without comparison. Her society is the emblem of sublimer enjoyments;
she is all softness and sweetness, love, wit, and delight; she is every
way suitable to the sublimest wish; and the man that has such a one to
his portion, has nothing to do but to rejoice in her and be
thankful."[130]
Love was hardly distinguished from mere animal desire. The poets wrote
of it coldly and conventionally, as of a thing which existed only in
name. The lover could only beg his mistress "to ease his pain." But the
conventionality which extended through all thoughts and expressions
relating to the higher emotions of the human soul, had no effect in
diminishing the coarseness of thought and conversation. Men were
conventional as regards the nobler sentiments of life, but they were
not conventional in the spirit which excludes from conversation and
literature the gross and the immoral. Chesterfield wrote to his son of
honor, justice, and so forth, as qualities of which he should know the
names, but of no consequence compared to "manners, good-breeding, and
the graces." If a man blushed, it was not at his own indecency, nor at
his own vice, but at the supposition that he could be so weak as to be
influenced by sentiments of delicacy. Coarseness is, of course, quite
separate from immorality, although the two are usually found together.
In the earlier part of the eighteenth century there was a marked
distinction between them. Swift's Stella, a woman of refinement, was
highly indignant at remarks being made before her of a licentious
character, but she herself used expressions of the grossest description
without a thought of impropriety. The same distinction is seen in the
essays and novels of the time. Swift, Defoe, Fielding, Richardson, all
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