A History of English Prose FictionTuckerman, Bayard
History
A History of English Prose Fiction
Tuckerman, Bayard
English fiction -- History and criticism
The social condition of England in the first half of the eighteenth
century presents a material and unattractive aspect. Its most prominent
characteristics are the corruption and coarseness of the upper classes,
and the ignorant brutality of the lower. Still there existed beneath
this exterior, qualities and habits in the highest degree favorable to
civilization and social order. At a later time these qualities brought
about reforms which did away with many of the worst abuses. Among the
middle classes, fast rising to political and social prominence, lived
an earnest morality, which at a later time took form in the great
Methodist revival, and the rise of philanthropy. This persevering
industry of the same classes added enormously to the wealth of the
nation. When reform came, it came as a revolt against existing
conditions, showing at once how bad those conditions were, and how
strongly the popular mind inclined to a better state. A general feeling
of disgust prevailed which left deep traces on contemporary literature,
and produced a widespread misanthropy. The first half of the eighteenth
century was to the period of the Restoration like the morning after a
debauch. Rochester, in the time of Charles II, and Hervey, in the time
of George II were representative men. The difference in the feelings
with which these men looked upon life is significant. Rochester, in the
full tide of dissipation, glories in his sensuality, and writes the
"Maimed Debauchee."
Should some brave youth (worth being drunk) prove nice,
And from his fair inviter meanly shrink,
'T would please the ghost of my departed vice,
If, at my council, he repent and drink.
But Hervey represents the time when dissipation had run a long course,
and disgust, sanctity, and misanthropy were succeeding. To him, as to
Swift, men were "a worthless species of animals," their vices, natural;
their virtues, affectation:
Mankind I know, their nature and their art,
Their vice their own, their virtue but a part
Ill played so oft, that all the cheat can tell,
And dangerous only when 't is acted well,
* * * * *
To such reflections when I turn my mind
_I loathe my being, and abhor mankind._
[Footnote 90: Carlyle, "Frederick the Great," p. 13. vol. i.]
[Footnote 91: Addison, "An Account of the Greatest English Poets."
Quoted by Henry Morley, LL.D., "English Literature in the Reign of
Victoria."]
[Footnote 92: Lecky's "History of England in the 18th Century," vol. i,
p. 502.]
[Footnote 93: Lord Hervey, "Memoirs of George II," v. 3, p. 527.]
[Footnote 94: Hervey's "Mem. of George II," vol. 1, p. 147, note.]
[Footnote 95: Walpole's "Reminiscences"; Hervey's "Mem.," v. 2, p. 103,
note.]
[Footnote 96: Walpole's "Mem. of George II," vol. 1, p. 87.]
[Footnote 97: Browne's "Estimate of the Times"; Lecky, "Hist. of 18th
Century," vol. 1, p. 509.]
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