A History of English Prose FictionTuckerman, Bayard
History
A History of English Prose Fiction
Tuckerman, Bayard
English fiction -- History and criticism
Fielding was a tall, handsome fellow, so full of life and spirits that
"his happy disposition," to quote Lady Mary, "made him forget every
evil when he was before a venison-pastry, or over a flask of
champagne." This rollicking, careless joyousness is the tone of his
books. Whether taken to a prison, an inn, or a lady's boudoir, whether
watching the breaking of heads, the blackening of eyes, or the making
of love, the reader is always kept smiling.
Fielding is often censured by moralists for the coarseness of his
novels. But had he not been coarse he would not have been true. He
described life as it was in the eighteenth century, as he had seen it
in the ups and downs of a checkered career. His characters were taken
from the higher ranks and the lower. He placed the house, the
amusements, the habits of a country gentleman before the reader with
the faithfulness of a man who had hunted, feasted, and got drunk with
country-gentlemen. He described the miserable prisons of his time as he
only could who had mingled with their degraded inmates, and had exerted
his power as a police magistrate to break up the gangs of ruffians who
infested the streets. Thus Fielding's novels have a high historical, as
well as a literary value. Mr. Lecky has testified to their importance
in a reconstruction of the past by placing "Amelia" among his
authorities. Squire Allworthy, Squire Western, Tom Jones, Parson Adams,
are characters to be studied by whoever would understand social life in
the eighteenth century. The lovely Sophia, the modest Fanny, and above
all Amelia, whom Thackeray considered "the most charming character in
English fiction," are portraits in the gallery of history.[172]
As Fielding set out to describe truth and nature as he saw them, the
reader must put away his notions of refinement and delicacy. He must be
prepared to be entertained by blows, licentious assaults, a tub of
hog's blood thrown by a clergyman, coarse practical jokes, foul talk,
all put before him without disguise or circumlocution. As he follows
Parson Adams, Joseph, and Fanny in their journey, he must always be
ready for a fight. Here is a specimen:
Public-domain text, read in full here on John Shaqi.
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