A History of English Prose FictionTuckerman, Bayard
History
A History of English Prose Fiction
Tuckerman, Bayard
English fiction -- History and criticism
On the contrary, I declare, that to recommend goodness and innocence
hath been my sincere endeavor in this history. * * * Besides displaying
that beauty of virtue which may attract the admiration of mankind, I have
attempted to engage a stronger motive to human action in her favor, by
convincing men that their true interest directs them to a pursuit of her.
For this purpose I have shown, that no acquisitions of guilt can
compensate the loss of that solid inward comfort of mind, which is the
sure companion of innocence and virtue; nor can in the least balance the
evil of that horror and anxiety which, in their room, guilt introduced
into our bosoms."
Thus, it is evident, that Fielding had no desire to write what might be
harmful. The contrast between his promise and his fulfilment is simply
an illustration of the standard of his time. His novels are coarse to a
degree which may nullify their merits in the eyes of some readers of
the present day, and may unfit them for the perusal of very young
people. But this is simply because the standard in such matters has
changed, and not because the novels were purposely made dissolute.
Their coarseness was adapted to the lack of refinement in thought and
speech characteristic of that time. Fielding wished to "laugh mankind
out of their follies and vices." In his coarseness there is always an
open, frank laughter. There is none of that veiled pruriency which
lurks underneath the more conventionally expressed, but really vicious
sentiments that are to be found in too many novels of our own day.
Public-domain text, read in full here on John Shaqi.
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