A History of English Prose FictionTuckerman, Bayard
History
A History of English Prose Fiction
Tuckerman, Bayard
English fiction -- History and criticism
--The _accusing spirit_, which flew up to Heaven's chancery with
the oath, blushed as he gave it in;--and the _recording angel_, as
he wrote it down, dropped a tear upon the word, and blotted it out
for ever.[190]
"Ye, who listen with credulity to the whispers of fancy, and pursue
with eagerness the phantoms of hope; who expect that age will perform
the promises of youth, and that the deficiencies of the present day
will be supplied by the morrow; attend to the history of Rasselas,
Prince of Abyssinia." Thus begins the famous tale which Dr. Johnson
made the repository of so much of his wisdom, and so beautiful an
example of English style. Rasselas and his royal brothers and sisters
live in a secluded portion of the earth known as the Happy Valley,
where, completely isolated from the world, they await their succession
to the crown of the imaginary land of Abyssinia, surrounded by every
luxury which can make life agreeable, and shut off from all knowledge
of those evils which can make it painful. The aim of the story is to
show the vanity of expecting perfect happiness, and the folly of
sacrificing present advantages for the delusive promises of the future.
The scene opens in the Happy Valley, where there is all that labor or
danger can procure or purchase, without either labor to be endured or
danger to be dreaded. Rasselas illustrates the habitual discontent of
man by wearying of the monotonous happiness of his royal home, and,
together with his sister Nekayah, who shares his ennui, and Imlac, a
man of learning, he escapes from the abode of changeless joys and
perpetual merriment.
Once beyond the barriers of the Happy Valley, Rasselas and Nekayah
seek in the various ranks and conditions of men the abode of true
happiness. It is sought in vain amidst the hollow and noisy pleasures
of the young and thoughtless; in vain among philosophers, whose
theories so ill accord with their practice; in vain among shepherds,
whose actual life contrasts so painfully with the descriptions of the
poet; in vain in crowds, where sorrow lurks beneath the outward smile;
in vain in the cell of the hermit, who counts the days till he shall
once more mix with the world. The task becomes more hopeless with each
new disappointment. Rasselas pursues his investigation among the higher
ranks, in courts and cities; Nekayah, hers among the poor and humble,
in the shop and the hamlet. But when the brother and sister meet to
share their experiences, they both have the same tale to tell of human
discontent. Finally, in returning disappointed to Abyssinia, they
illustrate the tendency among men to look back with regret on the early
pleasures of life, abandoned for the impossible happiness which
discontent had taught them to seek.
Public-domain text, read in full here on John Shaqi.
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