A History of English Prose FictionTuckerman, Bayard
History
A History of English Prose Fiction
Tuckerman, Bayard
English fiction -- History and criticism
All readers of Boswell know how the "Vicar of Wakefield" found a
publisher. How Goldsmith's landlady arrested him for his rent, and how
he wrote to Johnson in his distress. How the kind lexicographer sent a
guinea at once, and followed to find the guinea already changed, and a
bottle of Madeira before the persecuted but philosophical author. How
Johnson put the cork in the bottle, and after a hasty glance at the MS.
of the "Vicar of Wakefield," went out and sold it for sixty pounds. And
how triumphantly Goldsmith rated his landlady.
In the hands of that bookseller, who purchased the novel as much out of
charity as in hope of profit, the "Vicar of Wakefield" remained
neglected, until the publication of "The Traveler" had made the author
famous. This interval would have afforded Goldsmith ample time to
correct the obvious inconsistencies and faults which his work
contained. But in the spirit of a man who depended on his pen for his
bread, he made no effort to improve what had already brought him all
this remuneration for which he could hope. This is the more to be
regretted, that very little revision would have been sufficient, to
make the "Vicar of Wakefield" as perfect in its construction as in its
style and spirit. "There are a hundred faults in this thing," says the
preface, "and a hundred things might be said to prove them beauties.
But it is needless. A book may be amusing with numerous errors, or it
may be very dull without a single absurdity. The hero of this piece
unites in himself the three greatest characters upon earth;--he is a
priest, a husbandman, and the father of a family. He is drawn as ready
to teach, and ready to obey--as simple in affluence, and majestic in
adversity."
These few words are not an inaccurate statement of the merits and
demerits of the "Vicar of Wakefield." Faults there are, certainly. The
improbability of Sir William Thornhill's being able to go about among
his own tenantry _incognito_, without other disguise than a change of
dress; the inconsistency of the philanthropist's allowing his
villainous nephew to retain possession of the wealth which he used only
to assist him in his crimes; and, finally, the impossibility of that
nephew's being so nearly of an age with Sir William himself, when he
must have been the son of a younger brother, are all blemishes which
Goldsmith might easily have removed, had he not relied on the opinion
which he expressed in Chapter xv, "the reputation of books is raised,
not by their freedom from defect, but by the greatness of their
beauties."
Public-domain text, read in full here on John Shaqi.
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