A History of English Prose FictionTuckerman, Bayard
History
A History of English Prose Fiction
Tuckerman, Bayard
English fiction -- History and criticism
But what Mrs. Radcliffe attempted, she carried out with a very great
skill. She placed the scenes of her narratives in Sicily, in Italy, or
the south of France, and made good use of the warm natures and vivid
imaginations which are born of southern climates. Every aid which an
effective _mise en scene_ could supply to her supernatural effects was
most skilfully brought into play. Lonely castles, secret passages,
gloomy churches, and monkish superstitions,--all were adapted to the
tale of unknown dangers and fearful predicaments which Mrs. Radcliffe
had to tell. She kept up with remarkable strength a supernatural tone
which insensibly aids the imagination. In her descriptions of scenery,
she chose nature in its most awe-inspiring forms, and instilled into
the reader's mind the same sense of the insignificance of man, under
the influence of which her heroes and heroines so continually remain.
We are reminded of Buckle's description of the effect of nature upon
human imagination and credulity when we notice the striking manner in
which Mrs. Radcliffe moulded the surroundings of her heroes and
heroines, and made their minds susceptible to superstitious terror.
From Beaujeu the road had constantly ascended, conducting the
travellers into the higher regions of the air, where immense
glaciers exhibited their frozen horrors, and eternal snow whitened
the summits of the mountains. They often paused to contemplate
these stupendous scenes, and, seated on some wild cliff, where only
the ilex or the larch could flourish, looked over dark forests of
fir, and precipices where human foot had never wandered, into the
glen--so deep that the thunder of the torrent, which was seen to
foam along the bottom was scarcely heard to murmur. Over these
crags rose others of stupendous height and fantastic shape; some
shooting into cones; others impending far over their base, in huge
masses of granite, along whose broken ridges was often lodged a
weight of snow, that, trembling even to the vibration of a sound,
threatened to bear destruction in its course to the vale. Around on
every side, far as the eye could penetrate, were seen only forms of
grandeur the long perspective of mountain tops, tinged with
ethereal blue, or white with snow; valleys of ice, and forests of
gloomy fir. * * * The deep silence of these solitudes was broken
only at intervals by the scream of the vultures, seen cowering
round some cliff below, or by the cry of the eagle sailing high in
the air; except when the travellers listened to the hollow thunder
that sometimes muttered at their feet.[202]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account