A History of English Prose FictionTuckerman, Bayard
History
A History of English Prose Fiction
Tuckerman, Bayard
English fiction -- History and criticism
nation then, for the first time, knew the character of its ancestors;
for these were not spectres--not they, indeed,--nor phantoms of the
brain, but gaunt flesh and blood, or glad and glorious;--base-born
cottage churls of the olden time, because Scottish, became familiar to
the love of the nation's heart, and so to its pride did the high born
lineage of palace kings. * * * We know now the character of our own
people as it showed itself in war and peace--in palace, castle, hall,
hut, hovel, and shieling--through centuries of advancing civilization."
And it was not only to his countrymen that Scott made vivid and
familiar the history of his native land. Since his genius described the
Highland fastnesses, and peopled them with the chiefs and maidens of
old, all the world feels at home in that land at once so small and so
great. In Italy, in France in Germany, in America, Jeanie Deans and the
Master of Ravenswood are household friends, and Scottish life and
habits are known to tens of thousands who never leave their native
town.
Besides making his country celebrated by his writings, Scott placed the
novel on the firm foundation in public estimation which it has since
retained. He redeemed its character from the disrepute into which it
had fallen. He used it not only as a means of giving acute and
healthful pleasure, but he made it the medium for moral and
intellectual advancement. The purity of thought which pervades all his
writings, the never-failing nobility of the views of life which he
placed before his readers can have no other than an elevating
influence.
Public-domain text, read in full here on John Shaqi.
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