A History of English Prose FictionTuckerman, Bayard
History
A History of English Prose Fiction
Tuckerman, Bayard
English fiction -- History and criticism
represent them to the reader as ladies and gentlemen. But Dickens'
shopkeeper or street-sweeper makes no pretence to gentility, and
therefore is as far from being vulgar as the man who has never known
what it was to be any thing but a gentleman. The faults, like the
merits, of Dickens' work resulted from the exuberance and power of his
imagination. The same vividness of conception which gives such life to
his description of a thunderstorm or of a quiet family scene, sometimes
betrayed him into exaggeration and caricature. And yet when we consider
the number and variety of the figures conjured up by his creative mind,
from Paul Dombey to the Jew, Fagin, it is extraordinary that to so few
this criticism will apply.
Dickens' vast popularity resulted only in part from the artistic merit
of his works. The breadth of his canvas, his intense realization of
fictitious scenes, and his extraordinary descriptive power are
qualities enough to win for him his eminent position in fiction. But
the affection felt for Dickens as a man, which has made him occupy so
much the hearts as well as the minds of the reading public, was
attracted by qualities apart from those which excited admiration for
the author. Dickens was essentially a national writer in the variety of
the characters with whom he brought his readers into communion. He was
essentially popular, from the fact that he dealt with the masses and
not with any particular class. He was essentially English, in that he
was the apostle of home. No novelist who has treated domestic life has
so thoroughly caught its spirit, and has so sympathetically traced its
joys and sorrows, its trials and recompenses. Family life has been for
more than two centuries gradually supplanting the life of the camp and
the court. It is in the domestic circle that men now find the interest
which was formerly sought in adventure or publicity. Not only in the
Christmas stories, especially devoted to the celebration of home, but
through all his great fictions Dickens made domestic life his chief
study. And he is, above all others, the favorite household novelist.
While he lived, each new work of his was welcomed alike by parent and
child, and when he died, there were few homes where books ever came
that the loss of a friend was not felt.
Public-domain text, read in full here on John Shaqi.
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