A History of English Prose FictionTuckerman, Bayard
History
A History of English Prose Fiction
Tuckerman, Bayard
English fiction -- History and criticism
As we look back upon the list of the great authors who have written in
the present century, it must be with a feeling of gratitude for the
benefits they have conferred. They have devoted their lives to the
production of literary works, the beauty and excellence of which have
incalculably elevated the public taste. They have held up ideals and
noble conceptions which insensibly impart a dignity to life, and an
encouragement to youthful aspiration. They have described so truthfully
and sympathetically the character and aims of different classes and
different peoples, that whoever reads their works cannot but feel
himself drawn nearer to great divisions of the human race, which he had
hitherto regarded with an indifferent or a prejudiced eye. The novels
of Scott, of Dickens, of Thackeray, of George Eliot, of Miss Austen, of
Miss Ferrier, of very many others, have afforded to hundreds of
thousands, young and old, a never failing source of healthful
entertainment. Domestic life, as well in the cottage as the castle, has
been cheered and enlivened by their presence. Their examples of
heroism, of patience, of generosity, have excited the emulation of the
young, while their pictures of selfishness and vice have stifled many
an evil inclination and have given birth to many a good resolution.
Such writers as these have expressed the best tendencies of the age.
And they have been able to do so because they themselves are among the
best men and women of their time. But, unfortunately, as the nineteenth
century has many evil characteristics, and as depraved and weak-minded
persons are often endowed with some literary capacity, a great deal of
poisonous matter has unavoidably come to the surface in English
fiction. The writers who have prostituted their talents in pandering to
the low tastes of their readers, have carefully avoided any such open
representation of vice as was permissible in the last century. But they
have hidden under an outward respectability of words the most immoral
and degrading thoughts. They have recognized the fact that a not
inconsiderable number of persons would be be glad to find in a work of
fiction the same gross ideas which occupy their own minds. And thus a
more dangerous, because a more insidious, species of literature has
sprung up. The absence of parental censorship, the general freedom with
which works of fiction are allowed to enter almost every household,
permit these novels to fall into the hands of the youngest and most
susceptible. The young girl or boy whose parents carefully put away the
newspaper which contains an account of a divorce trial or a rape, is
very possibly reading a novel of which the main interest lies in a
detailed description of a seduction. It is not of the so-called "dime
novels" or of the stories published in a police gazette to which
reference is made, but to books issued by respectable publishers and
often written by women. Of these novels, the subject is the unlawful
Public-domain text, read in full here on John Shaqi.
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