A History of English Prose FictionTuckerman, Bayard
History
A History of English Prose Fiction
Tuckerman, Bayard
English fiction -- History and criticism
The advance of a nation in numbers and civilization is accompanied by
so great a complexity of social conditions that in this volume it is
possible only to attempt to seize such salient characteristics of the
eighteenth century as may serve to throw light on the course of English
fiction. No age presents a more prosaic aspect. If we consider the
condition of England at the beginning of the eighteenth century, the
prevalence of abuses and corruption left by the ignorance or vice of
preceding years, and reflect at the same time upon the progressive
nature of the people, the practical habit of their minds, and the moral
earnestness which they never wholly lost, it is not surprising to find
that the century is one of reforms. Population and wealth had outgrown
the laws and customs which had hitherto served for their control, and
though in the earlier part of the period we find corruption in public
and private life, indifference in religion, inadequate provision for
the education of the young, gross abuses in jurisprudence, and
coarseness of action and taste throughout the social system, there is
also perceptible a solid foundation of good-sense and an earnest
desire for improvement, which gradually, as the century wore on,
introduced one reform after another, until many of those benefits were
attained or made possible which the present century almost
unconsciously enjoys. We should lose one of the most instructive
lessons which history can afford, if, with Carlyle, we should allow the
eighteenth century to lie "massed up in our minds as a disastrous,
wrecked inanity, not useful to dwell upon,"[90] The England of that
century was modern England, but modern England, burdened with a
heritage of corruption and ignorance which it is the glory of the time
to have in large part discarded. It was a time of social and material
progress, and it was also the period of the growth and perfection of
English fiction. To thoroughly understand the one, we must be
acquainted with the other, and it will be the object of the two
following chapters to trace the development of the English novel in
connection with that national development of which it will be shown to
be in great measure the exponent.
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