A History of English Romanticism in the Eighteenth CenturyBeers, Henry A. (Henry Augustin)
History
A History of English Romanticism in the Eighteenth Century
Beers, Henry A. (Henry Augustin)
English literature -- 18th century -- History and criticism; Romanticism -- Great Britain -- History -- 18th century
"O'er Cornwall's cliffs the tempest roared:
High the screaming sea-mew soared:
In Tintaggel's topmost tower
Darkness fell the sleety shower:
Round the rough castle shrilly sung
The whirling blast, and wildly flung
On each tall rampart's thundering side
The surges of the tumbling tide,
When Arthur ranged his red-cross ranks
On conscious Camlan's crimsoned banks:
By Mordred's faithless guile decreed
Beneath a Saxon spear to bleed.
Yet in vain a Paynim foe
Armed with fate the mightly blow;
For when he fell, an elfin queen,
All in secret and unseen,
O'er the fainting hero threw
Her mantle of ambrosial blue,
And bade her spirits bear him far,
In Merlin's agate-axled car,
To her green isle's enameled steep
Far in the navel of the deep."
Other poems of Thomas Warton touching upon his favorite studies are the
"Ode Sent to Mr. Upton, on his Edition of the Faery Queene," the "Monody
Written near Stratford-upon-Avon," the sonnets, "Written at Stonehenge,"
"To Mr. Gray," and "On King Arthur's Round Table," and the humorous
epistle which he attributes to Thomas Hearne, the antiquary, denouncing
the bishops for their recent order that fast-prayers should be printed in
modern type instead of black letter, and pronouncing a curse upon the
author of "The Companion to the Oxford Guide Book" for his disrespectful
remarks about antiquaries.
"May'st thou pore in vain
For dubious doorways! May revengeful moths
Thy ledgers eat! May chronologic spouts
Retain no cipher legible! May crypts
Lurk undiscovered! Nor may'st thou spell the names
Of saints in storied windows, nor the dates
Of bells discover, nor the genuine site
Of abbots' pantries!"
Warton was a classical scholar and, like most of the forerunners of the
romantic school, was a trifle shame-faced over his Gothic heresies. Sir
Joshua Reynolds had supplied a painted window of classical design for New
College, Oxford; and Warton, in some complimentary verses, professes that
those "portraitures of Attic art" have won him back to the true taste;[9]
and prophesies that henceforth angels, apostles, saints, miracles,
martyrdoms, and tales of legendary lore shall--
Public-domain text, read in full here on John Shaqi.
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