"The antiquarian spirit," he writes, "which was once confined to inquiries concerning the manners, the buildings, the records, and the coins of the ages that preceded us, has now extended itself to those poetical compositions which were popular among our forefathers, but which have gradually sunk into oblivion through the decay of language and the prevalence of a correct and polished taste. Books printed in the black letter are sought for with the same avidity with which the English antiquary peruses a monumental inscription, or treasures up a Saxon piece of money. The popular ballad, composed by some illiterate minstrel, and which has been handed down by tradition for several centuries, is rescued from the hands of the vulgar, to obtain a place in the collection of the man of taste. Verses which, a few years past, were thought worthy the attention of children only, or of the lowest and rudest orders, are now admired for that artless simplicity which once obtained the name of coarseness and vulgarity." Early English poetry, continues the essayist, "has had its day, and the antiquary must not despise us if we cannot peruse it with patience. He who delights in all such reading as is never read, may derive some pleasure from the singularity of his taste, but he ought still to respect the judgment of mankind, which has consigned to oblivion the works which he admires. While he pores unmolested on Chaucer, Gower, Lydgate, and Occleve, let him not censure our obstinacy in adhering to Homer, Virgil, Milton, and Pope. . . Notwithstanding the incontrovertible merit of many of our ancient relics of poetry, I believe it may be doubted whether any one of them would be tolerated as the production of a modern poet. As a good imitation of the ancient manner, it would find its admirers; but, considered independently, as an original, it would be thought a careless, vulgar, inartificial composition. There are few who do not read Dr. Percy's own pieces, and those of other late writers, with more pleasure than the oldest ballad in the collection of that ingenious writer." Mr. Percy quotes another paper of Knox in which he divides the admirers of English poetry into two parties: "On one side are the lovers and imitators of Spenser and Milton; and on the other, those of Dryden, Boileau, and Pope"; in modern phrase, the romanticists and the classicists.