A History of English Romanticism in the Eighteenth CenturyBeers, Henry A. (Henry Augustin)
History
A History of English Romanticism in the Eighteenth Century
Beers, Henry A. (Henry Augustin)
English literature -- 18th century -- History and criticism; Romanticism -- Great Britain -- History -- 18th century
"Who that sees the sable plumes waving on the prodigious helmet in the
Castle of Otranto, and the gigantic arm on the top of the great
staircase, is not more affected than with the paintings of Ovid and
Apuleius? What a group of dreadful images do we meet with in the Edda!
The Runic poetry abounds in them. Such is Gray's thrilling Ode on the
'Descent of Odin.'"
Warton predicts that Pope's fame as a poet will ultimately rest on his
"Windsor Forest," his "Epistle of Eloisa to Abelard," and "The Rape of
the Lock." To this prophecy time has already, in part, given the lie.
Warton preferred "Windsor Forest" and "Eloisa" to the "Moral Essays"
because they belonged to a higher kind of poetry. Posterity likes the
"Moral Essays" better because they are better of their kind. They were
the natural fruit of Pope's genius and of his time, while the others were
artificial. We can go to Wordsworth for nature, to Byron for passion,
and to a score of poets for both, but Pope remains unrivaled in his
peculiar field. In other words, we value what is characteristic in the
artist; the one thing which he does best, the precise thing which he can
do and no one else can. But Warton's mistake is significant of the
changing literary standards of his age; and his essay is one proof out of
many that the English romantic movement was not entirely without
self-conscious aims, but had its critical formulas and its programme,
just as Queen Anne classicism had.
[1] Dr. Johnson had his laugh at this popular person:
"'Hermit hoar, in solemn cell
Wearing out life's evening gray,
Strike thy bosom, sage, and tell
What is bliss, and which the way?'
"Thus I spoke, and speaking sighed,
Scarce suppressed the starting tear:
When the hoary sage replied,
'_Come, my lad, and drink some beer._'"
[2] "Grose's Antiquities of Scotland" was published in 1791, and Burns
wrote "Tam o'Shanter" to accompany the picture of Kirk Alloway in this
work. See his poem, "On the late Captain Grose's Peregrinations through
Scotland."
[3] "Ragnaroek," or "Goetterdaemmerung," the twilight of the Gods
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account