Two of these romances, the earliest and the latest, though they are the weakest of the series, have a special interest for us as affording points of comparison with the Waverly novels. "The Castles of Athlin and Dunbayne" is the narrative of a feud between two Highland clans, and its scene is the northeastern coast of Scotland, "in the most romantic part of the Highlands," where the castle of Athlin--like Uhland's "Schloss am Meer"--stood "on the summit of a rock whose base was in the sea." This was a fine place for storms. "The winds burst in sudden squalls over the deep and dashed the foaming waves against the rocks with inconceivable fury. The spray, notwithstanding the high situation of the castle, flew up with violence against the windows. . . The moon shone faintly by intervals, through broken clouds, upon the waters, illumining the white foam which burst around. . . The surges broke on the distant shores in deep resounding murmurs, and the solemn pauses between the stormy gusts filled the mind with enthusiastic awe." Perhaps the description slightly reminds of the picture, in "Marmion," of Tantallon Castle, the hold of the Red Douglases on the German Ocean, a little north of Berwick, whose frowning towers have recently done duty again in Stevenson's "David Balfour." The period of the action is but vaguely indicated; but, as the weapons used in the attack on the castle are bows and arrows, we may regard the book as mediaeval in intention. Scott says that the scene of the romance was Scotland in the dark ages, and complains that the author evidently knew nothing of Scottish life or scenery. This is true; her castles might have stood anywhere. There is no mention of the pipes or the plaid. Her rival chiefs are not Gaelic caterans, but just plain feudal lords. Her baron of Dunbayne is like any other baron; or rather, he is unlike any baron that ever was on sea or land or anywhere else except in the pages of a Gothic romance.