A History of English Romanticism in the Eighteenth CenturyBeers, Henry A. (Henry Augustin)
History
A History of English Romanticism in the Eighteenth Century
Beers, Henry A. (Henry Augustin)
English literature -- 18th century -- History and criticism; Romanticism -- Great Britain -- History -- 18th century
[5] It should never be forgotten that the ballad (derived from
_ballare--to dance)_ was originally not a written poem, but a song and
dance. Many of the old tunes are preserved. A number are given in
Chappell's "Popular Music of the Olden Time," and in the appendix to
Motherwell's "Minstrelsy, Ancient and Modern" (1827).
[6] "A Ballad." One theory explains these meaningless refrains as
remembered fragments of older ballads.
[7] Reproduced by Rossetti and other moderns. See them parodied in Robert
Buchanan's "Fleshly School of Poets":
"When seas do roar and skies do pour,
Hard is the lot of the sailor
Who scarcely, as he reels, can tell
The sidelights from the binnacle."
[8] "I never heard the old song of Percie and Douglas that I found not my
heart moved more than with a trumpet; and yet it is sung but by some
blind crouder, with no rougher voice than rude style; which being so evil
apparelled in the dust and cobwebs of that uncivil age, what would it
work, trimmed in the gorgeous eloquence of Pindar!"
[9] Empty: "Bonnie George Campbell."
[10] "Lord Randall."
[11] Turf: "The Twa Corbies."
[12] I use this phrase without any polemic purpose. The question of
origins is not here under discussion. Of course at some stage in the
history of any ballad the poet, the individual artist, is present, though
the precise ration of his agency to the communal element in the work is
obscure. For an acute and learned view of this topic, see the
Introduction to "Old English Ballads," by Professor Francis B. Gummere
(Atheneum Press Series), Boston, 1894.
[13] From "Jock o' Hazel Green." "Young Lochinvar" is derived from
"Katherine Janfarie" in the "Minstrelsy of the Scottish Border."
[14] "Scott has given us nothing more complete and lovely than this little
song, which unites simplicity and dramatic power to a wildwood music of
the rarest quality. No moral is drawn, far less any conscious analysis
of feeling attempted: the pathetic meaning is left to be suggested by the
mere presentment of the situation. Inexperienced critics have often
named this, which may be called the Homeric manner, superficial from its
apparent simple facility."--_Palgrave: "Golden Treasury"_ (Edition of
1866), p. 392.
[15] "Brown Robyn's Confession." Robin Hood risks his life to take the
sacrament. "Robin Hood and the Monk."
[16] "Sir Hugh." _Cf._ Chaucer's "Prioresse Tale."
[17] "The Gay Goshawk."
[18] "Johnnie Cock."
[19] "Young Hunting."
[20] "The Twa Sisters."
[21] "The Wife of Usher's Well."
[22] "Fair Margaret and Sweet William."
[23] "Sweet William's Ghost."
[24] "Clerk Colven."
[25] "Willie's Lady."
[26] "Kemp Owyne" and "Tam Lin."
[27] "King Estmere."
[28] "Johnnie Cock."
[29] "Mary Hamilton."
[30] "Sweet William's Ghost."
[31] "The Forsaken Bride." _Cf._ Chaucer:
"Love is noght old as when that it is newe."
--_Clerkes Tale._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account