A History of English Romanticism in the Eighteenth CenturyBeers, Henry A. (Henry Augustin)
History
A History of English Romanticism in the Eighteenth Century
Beers, Henry A. (Henry Augustin)
English literature -- 18th century -- History and criticism; Romanticism -- Great Britain -- History -- 18th century
At Oxford, Shenstone had signalized his natural tastes by wearing his own
hair instead of the wig then (1732) universally the fashion.[38] On
coming of age, he inherited a Shropshire farm, called the Leasowes, in
the parish of Hales Owen and an annuity of some three hundred pounds. He
was of an indolent, retiring, and somewhat melancholy temperament; and,
instead of pursuing a professional career, he settled down upon his
property and, about the year 1745, began to turn it into a _ferme ornee_.
There he wooed the rustic muse in elegy, ode, and pastoral ballad,
sounding upon the vocal reed the beauties of simplicity and the vanity of
ambition, and mingling with these strains complaints of Delia's cruelty
and of the shortness of his own purse, which hampered him seriously in
his gardening designs. Mr. Saintsbury has described Shenstone as a
master of "the artificial-natural style of poetry."[39] His pastoral
insipidities about pipes and crooks and kids, Damon and Delia, Strephon
and Chloe, excited the scorn of Dr. Johnson, who was also at no pains to
conceal his contempt for the poet's horticultural pursuits. "Whether to
plant a walk in undulating curves and to place a bench at every turn
where there is an object to catch the view; to make water run where it
will be seen; to leave intervals where the eye will be pleased, and to
thicken the plantation where there is something to be hidden, demands any
great powers of mind, I will not enquire." The doctor reports that
Lyttelton was jealous of the fame which the Leasowes soon acquired, and
that when visitors to Hagley asked to see Shenstone's place, their host
would adroitly conduct them to inconvenient points of view--introducing
them, _e.g._, at the wrong end of a walk, so as to detect a deception in
perspective, "injuries of which Shenstone would heavily complain."[40]
Graves, however, denies that any rivalry was in question between the
great domain of Hagley and the poet's little estate. "The truth of the
case," he writes, "was that the Lyttelton family went so frequently with
their company to the Leasowes, that they were unwilling to break in upon
Mr. Shenstone's retirement on every occasion, and therefore often went to
the principal points of view, without waiting for anyone to conduct them
regularly through the whole walks. Of this Mr. Shenstone would sometimes
peevishly complain."
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