A History of English VersificationSchipper, J. (Jakob)
History
A History of English Versification
Schipper, J. (Jakob)
English language -- Versification; English poetry -- History and criticism
The most important are the _real envois_. Of these, two subordinate
species can be distinguished: (_a_) when the form of the envoi differs
from the form of the stanza, as in Wright's _Spec. of Lyr. Poetry_, p.
92, and even more markedly in Chaucer's _Compleynt to his Purse_, a poem
of stanzas of seven lines, the envoi of which addressed to the king
consists of five verses only; (_b_) when the form of the envoi is the
same as that of the other stanzas of the poem, as e.g. in Wright's
_Spec. of Lyr. Poetry_, p. 111 (a greeting to a mistress), in Dunbar's
_Goldin Targe_ (address to the poem itself).
When the poem is of some length the envoi may consist of several
stanzas; thus in Chaucer's _Clerkes Tale_ (stanzas of seven lines) the
envoi has six stanzas of six lines each.
_Concluding stanzas resembling envois in their form_ are generally
shorter than the chief stanzas, but of similar structure. Generally
speaking they are not very common. Specimens may be found in Wright's
_Spec. of Lyr. Poetry_, pp. 38, 47, &c.
_Concluding stanzas resembling envois in their contents._ An example
occurs in Wright's _Spec. of Lyr. Poetry_, p. 31, where the concluding
stanza contains an address to another poet. Religious poems end with
addresses to God, Christ, the Virgin, invitations to prayer, &c.; for
examples see Wright's _Spec. of Lyr. Poetry_, p. 111, and _Hymns to the
Virgin_ (ed. Furnivall, E. E. T. S. 24), p. 39, &c. All these may
possibly fall under this category.
Even in Modern English poetry the envoi has not quite gone out of use.
Short envois occur in Spenser, _Epithalamium_; S. Daniel, _To the Angel
Spirit of Sir Philip Sidney_ (Poets, iv. 228); W. Scott, _Marmion_
(Envoy, consisting of four-foot verses rhyming in couplets), _Harold_,
_Lord of the Isles_, _Lady of the Lake_ (Spenserian stanzas); Southey,
_Lay of the Laureate_ (x. 139-74), &c.; Swinburne, _Poems and Ballads_,
i, pp. 1, 5, 141, &c.
Concluding stanzas resembling envois occur pretty often in poets of the
seventeenth and eighteenth centuries, as Carew, Donne, Cowley, Waller,
Dodsley, &c. (cf. _Metrik_, ii, p. 794 note).
NOTES:
[186] See _The Oxford Dante_, pp. 379-400, or _Opere minori di Dante
Alighieri_, ed. Pietro Fraticelli, vol. ii, p. 146, Florence,
1858, and Böhmer's essay, _Über Dante's Schrift de vulgari
eloquentia_, Halle, 1868.
[187] See B. ten Brink, _The Language and Metre of Chaucer_,
translated by M. Bentinck Smith. London, Macmillan & Co.,
1901, 8º, § 350.
PART II
STANZAS COMMON TO MIDDLE AND MODERN
ENGLISH, AND OTHERS FORMED ON THE
ANALOGY OF THESE
CHAPTER III
BIPARTITE EQUAL-MEMBERED STANZAS
I. _Isometrical stanzas._
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