_Jesu, for þi muchele miht Þou ȝef vs of þi grace, Þat we mowe dai and nyht Þenken o þi face. In myn herte hit doþ me god, When y þenke on iesu blod, Þat ran doun bi ys syde, From is herte doun to is fot, For ous he spradde is herte blod, His woundes were so wyde._ The shorter, Septenary part of the stanza represents the _frons_, the tail-rhyme stanza, the _versus_. Of a similar form (_a₄ b₃ a₄ b₃ a a₄ b₃ a b₃ a₂_) is the stanza of the poem _An Orison of our Lady_ (E. E. T. S., vol. xlix, p. 158). In Modern English also allied forms occur; one especially with the scheme _a₄ b₃ a₄ b₃ c c d e e₄ d₃_ in Gray, _Ode on the Spring_ (Poets, x. 215); other forms are _a₄ b₃ a₄ b₃ c c₂ d₃ e e₂ d₄_, _a₄ b₃ a₄ b₃ c c d e e₄ d₅_, _a b₃ a₄ b₃ d d₄ e₃ f f₄ e₃_. (For examples see _Metrik_, ii, § 432.) The reverse combination, viz. tail-rhyme stanza and Septenary (on the scheme _a a₄ b₃ c c₄ b₃ d₄ b₃ d₄ b₃_), also occurs in Middle English times[195]), e.g. in Wright's _Spec. of Lyr. Poetry_, p. 87: _Nou skrinkeþ rose and lylie flour, þat whilen ber þat suete sauour, in somer, þat suete tyde; ne is no quene so stark ne stour, ne no leuedy so bryht in bour, þat ded ne shal by glyde. Whose wol fleyshlust forgon, and heuene blis abyde, on iesu be is þoht anon, þat þerled was ys syde._ Similar stanzas occur also in Modern English; e.g. one on the formula _a a₂ b₃ c c₂ b₃ d₄ e₃ d₄ e₃_ in Burns (p. 255), another on the scheme _a a₂ b₃ c c₂ b₃ d e₃ d₄ e₃_ (=_Poulter's Measure_ in the _cauda_), ib. p. 189. Other ten-line stanzas consisting chiefly of Septenary verses or of _Poulter's Measure_ correspond to the formulas _a₄ b₃ a₄ b₃ c₄ d₃ c₄ d₃ e e₄_, _a b₃ a₄ b₃ c d₃ c₄ d₃ e e₄_, _a b a₄ b₃ c d c₄ d₃ e e₃_. For examples, partly taken from Moore, see _Metrik_, ii, § 435. Stanzas of this kind consisting of five-foot verses are rarely met with, e.g. _a₅ b₃ a₅ b₃ c₅ d₃ c₅ d₃ e e₄_, _a b₄ a₅ b₄ c c d d e e₅_, _a₅ b₃ a₅ b₃ c c₄ d₂ d₅ e₂ e₅_; as in Spenser and Browne (cf. _Metrik_, ii, § 434). § =282.= Stanzas of eleven lines= are also rare. There is one with an isometrical first part (on the scheme _a b a b₅ c c₂ c₃ d₂ d₅ x₂ d₆_) in Ben Jonson, _Cynthia's Revels_ (Poets, iv. 610); another in Campbell's _Gertrude of Wyoming_ (st. xxxv-xxxix), corresponding to the scheme _a b a b₄ c₃ d d d₄ c₃ e e₄_. Other stanzas of an almost entirely anisometrical structure consist of a combination with a tail-rhyme stanza, as e.g. a Middle English stanza on the scheme _a a₄ b₃ a a₄ b₃ a₄ b₃ a a₄ b₃_, with a regular tail-rhyme stanza representing the _pedes_, and a shortened tail- rhyme stanza representing the _cauda_; it occurs in the _Towneley Mysteries_, pp. 221-3. A similar one we have in Phineas Fletcher (_Poets_, iv. 460) on the formula _a ~₂ a ~₃ b₂ e ~₂ e ~₃ b₂ d ~₄ e ~ e ~₂ d d₅_,