A History of English VersificationSchipper, J. (Jakob)
History
A History of English Versification
Schipper, J. (Jakob)
English language -- Versification; English poetry -- History and criticism
The first hemistich of the last line offers a specimen of a variation
of the ordinary types with feminine endings (chiefly of A, C, and
Cª), designated by Prof. Luick as A1, C1, Cª₁, and showing the
peculiarity that instead of the ending –́ × somewhat fuller forms occur,
consisting either of two separate words or of a compound word, and
thus corresponding either to the formula –́ ×̀, or, if there are three
syllables, to the formula –́ × ×̀, or in case of a resolution (as in the
above example) to the formula –́ × ⏑́ ×. We differ from Prof. Luick,
however, in admitting also endings corresponding to the formula ⏑́ ×̀ ×.
As a rule, if not always, such forms of verse are occasioned by the
requirements of rhyme. This is not the case, it is true, in the
following purely alliterative line:
A1* + A*: _þe kíng sòne úp stòd | and sétte hine bì him séoluen_.
Lay. 14073-4.
but in other verses it is so, e.g.:
B* + A1*: _Ah of éou ich wùlle iwíten | þurh sóðen èouwer wúrðscìpen._
ib. 13835-6.
and similarly (not corresponding to –́ × ×̀, as Prof. Luick thinks):
A1* + B*: _bìdden us to fúltúme | þàt is Críst gòdes súne._
ib. 14618-19.
but the formula –́ × ×̀ is represented by the following verses:
A1* + A1*: _þe =þ=únre heo ȝìven =þ=únresdǽi | for=þ=í þat
hèo heom helpen mæ̀i._
ib. 13929-30.
A1* + A1*: _þe =éo=rl ànd þe =é=þel[`y]ng | ib=ú=reþ ùnder gódne
kìng_.
Prov. iv. 74-5.
C1* + Cª₁*: _nès þer nán crístindòm, | þèr þe kíng þat máide nòm._
Lay. 14387-8.
In the last but one of these examples this accentuation is corroborated
in the Jesus College MS. by the written accent on the word _gódne_,
whereby not only the rhyme _-lyng: king_ is shown to be an unaccented
one, but at the same time the two-beat rhythm of the hemistich is proved
as well as that of the preceding hemistich. Moreover, the alliteration
in all these examples is a further proof of the two-beat character of
their rhythm.
Public-domain text, read in full here on John Shaqi.
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