A History of English VersificationSchipper, J. (Jakob)
History
A History of English Versification
Schipper, J. (Jakob)
English language -- Versification; English poetry -- History and criticism
[102] Cf. our remarks in Book I, Part II, on the Septenary Verse in
combination with other metres.
[103] Cf. Wissmann, _King Horn_, pp. 59-62, and _Metrik_, i, pp.
189-90.
[104] _Signs of Death_ in _Old Engl. Misc._ (E. E. T. S.), p. 101.
[105] Cf. Hall's edition (Clar. Press, 1901), pp. xlv-l, where our
views on the origin and structure of the metre are adopted.
[106] See Paul's _Grundriss_, ed. 2, II. ii. p. 156.
CHAPTER IV
THE ALLITERATIVE LINE IN ITS CONSERVATIVE
FORM DURING THE FOURTEENTH AND FIFTEENTH CENTURIES
A. The alliterative verse without rhyme.
§ =52.= The progressive or free form of the alliterative line came to an
end as early as the middle of the thirteenth century, when it broke up
into short rhyming couplets. The stricter form was for nearly three
centuries longer a very popular metre in English poetry, especially in
the North-Western and Northern districts of England and in the adjacent
lowlands of Scotland. The first traces, however, of its existence after
the Norman Conquest are to be found in the South of England, where some
poetical homilies and lives of saints were written at the end of the
twelfth and in the beginning of the thirteenth century which are of the
same character, both as to their subjects and to their metre, as the
poetical paraphrases and homilies written by Ælfric. These poems are
_Hali Meidenhad_ (a poetical homily), the legends of _St. Marharete_,
_St. Juliana_, and _St. Katherine_. These poems have been edited for
the Early English Text Society, Nos. 18, 13, 51, 80; the first three
by Cockayne as prose-texts, the last by Dr. Einenkel, who printed it in
short couplets regarded by him as having the same four-beat rhythm
(Otfrid's metre) which he and his teacher, Prof. Trautmann, suppose to
exist in Layamon and _King Horn_.[107] The Homilies have no rhymes.
The form of these homilies and legends occasionally exhibits real
alliterative lines, but for the most part is nothing but rhythmical
prose, altogether too irregular to call for an investigation here.
Some remarks on passages written in a form more or less resembling
alliterative verse may be found in our _Englische Metrik_, vol. i, § 94.
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