A History of French Literature: Short Histories of the Literatures of the World: II.Dowden, Edward
History
A History of French Literature: Short Histories of the Literatures of the World: II.
Dowden, Edward
French literature -- History and criticism
The intellect of Pascal, so powerful in its grasp of scientific truth,
could find by its own researches no certitude in the sphere of
philosophy and religion. He had been deeply influenced by the
sceptical mind of Montaigne. He found within him a passionate craving
for certitude; man is so constituted that he can never be at rest
until he rests in knowledge of the truth; but man, as he now exists,
is incapable of ascertaining truth; he is weak and miserable, and
yet the very consciousness of his misery is evidence of his greatness;
"Nature confounds the Pyrrhonist, and reason the dogmatist;" "Man
is but a reed, the feeblest of created things, but a reed which
thinks." How is this riddle of human nature to be explained? Only
in one way--by a recognition of the truth taught by religion, that
human nature is fallen from its true estate, that man is a dethroned
king. And how is the dissonance in man's nature to be overcome? Only
in one way--through union with God made man; with Jesus Christ, the
centre in which alone we find our weakness and the divine strength.
Through Christ man is abased and lifted up--abased without despair,
and lifted up without pride; in Him all contradictions are reconciled.
Such, in brief, is the vital thought from which Pascal's apologetic
proceeds. It does not ignore any of the external evidences of
Christianity; but the irresistible evidence is that derived from the
problem of human nature and the essential needs of the spirit--a
problem which religion alone can solve, and needs which Christ alone
can satisfy. Pascal's "Thoughts" are those of an eminent intelligence.
But they are more than thoughts; they are passionate lyrical cries
of a heart which had suffered, and which had found more than
consolation; they are the interpretation of the words of his
amulet--"Joie, joie, joie, pleurs de joie." The union of the ardour
of a poet or a saint with the scientific rigour of a great geometer,
of wit and brilliance with a sublime pathos, is among the rarest
phenomena in literature; all this and more is found in Pascal.
CHAPTER III
THE DRAMA (MONTCHRESTIEN TO CORNEILLE)
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