A History of French Literature: Short Histories of the Literatures of the World: II.Dowden, Edward
History
A History of French Literature: Short Histories of the Literatures of the World: II.
Dowden, Edward
French literature -- History and criticism
The sun had indeed risen and the stars might disappear when in the
closing days of 1636 the _Cid_ was given in Paris at the Theatre du
Marais; the eulogy of the stage was speedily justified by its author.
His subject was found by Corneille in a Spanish drama, _Las Mocedades
del Cid_, by Guilhem de Castro; the treatment was his own; he reduced
the action from that of a chronicle-history to that of a tragedy;
he centralised it around the leading personages; he transferred it
in its essential causes from the external world of accident to the
inner world of character; the critical events are moral events,
victories of the soul, triumphs not of fortune but of the will. And
thus, though there are epic episodes and lyric outbreaks in the play,
the _Cid_ definitely fixed, for the first time in France, the type
of tragedy. The central tragic strife here is not one of rival houses.
Rodrigue, to avenge his father's wrong, has slain the father of his
beloved Chimene; Chimene demands from the King the head of her beloved
Rodrigue. In the end Rodrigue's valour atones for his offence. The
struggle is one of passion with honour or duty; the fortunes of the
hero and heroine are affected by circumstance, but their fate lies
in their own high hearts.
The triumph of Corneille's play was immense. The Cardinal, however,
did not join in it. Richelieu's intractable poet had glorified Spain
at an inconvenient moment; he had offered an apology for the code
of honour when edicts had been issued to check the rage of the duel;
yet worse, he had not been crushed by the great man's censure. The
quarrel of the _Cid_, in which Mairet and Scudery took an embittered
part, was encouraged by Richelieu. He pressed the Academy, of which
Corneille was not a member until 1647, for a judgment upon the piece,
and at length he was partially satisfied by a pronouncement, drawn
up by Chapelain, which condemned its ethics and its violation of
dramatic proprieties, yet could not deny the author's genius.
Corneille was deeply discouraged, but prepared himself for future
victories.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account