A History of French Literature: Short Histories of the Literatures of the World: II.Dowden, Edward
History
A History of French Literature: Short Histories of the Literatures of the World: II.
Dowden, Edward
French literature -- History and criticism
Bossuet's contemporaries esteemed him as a preacher less highly than
they esteemed the Jesuit Bourdaloue. The life of LOUIS BOURDALOUE
(1632-1704) is told in the words of Vinet: "He preached, confessed,
consoled, and then he died." It does credit to his hearers that they
valued him aright--a modest man of simple probity. He spoke, with
downcast eyes and full harmonious voice, as a soul to souls; his
eloquence was not that of the rhetorician; his words were grave and
plain and living, and were pressed home with the force of their reality.
He aimed never at display, but always at conviction. When the crowd
at St. Sulpice was moved as he entered the church and ascended the
pulpit, "Silence!" cried the Prince de Conde, "there is our enemy!"
Bourdaloue marshalled his arguments and expositions with the
elaborate skill of a tactician; he sought to capture the judgment;
he reached the heart through a wise director's knowledge of its inmost
processes. When his words were touched with emotion, it was the
involuntary manifestation of the life within him. His studies of
character sometimes tended to the form of portraits of moral types,
features in which could be identified with actual persons; but in
these he was the moralist, not the satirist. During four-and-thirty
years Bourdaloue distributed, to those who would take it, the bread
of life--plain, wholesome, prepared skilfully and with clean hands,
never varying from the evenness and excellence of its quality. He
does not startle or dazzle a reader; he does what is better--he
nourishes.
Bourdaloue pronounced only two _Oraisons Funebres_, and those under
the constraint of duty. He thought the Christian pulpit was meant
for less worldly uses than the eulogy of mortal men. The _Oraison
Funebre_ was more to the taste of Mascaron (1634-1703), whose unequal
rhetoric was at its best in his panegyric of Turenne; more to the
taste of the elegant FLECHIER, Bishop of Nimes. All the literary
graces were cultivated by Flechier (1632-1710), and his eloquence
is unquestionable; but it was not the eloquence proper to the pulpit.
He was a man of letters, a man of the world, formed in the school
of preciosity, a haunter of the Hotel de Rambouillet; knowing the
surface of society, he knew as a moralist how to depict its manners
and the evil that lay in them. He did not apply doctrine to life like
Bossuet, nor search the heart with Bourdaloue's serious zeal; to save
souls was indeed important; to exhibit his talents before the King
was also important. But the true eloquence of the pulpit has deeper
springs than lay in Flechier's mundane spirit. Already the decadence
has begun.
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