A History of French Literature: Short Histories of the Literatures of the World: II.Dowden, Edward
History
A History of French Literature: Short Histories of the Literatures of the World: II.
Dowden, Edward
French literature -- History and criticism
_Manon Lescaut_, which appeared in 1731, as an episode of the first
of these, is a tale of fatal and irresistible passion. The heroine
is divided in heart between her mundane tastes for luxury and her
love for the Chevalier des Grieux. He, knowing her inconstancy and
infirmity, yet cannot escape from the tyranny of the spell which has
subdued him; his whole life is absorbed and lost in his devotion to
Manon, and he is with her in the American wilds at the moment of her
piteous death. The admirable literary style of _Manon Lescaut_ is
unfelt and disappears, so directly does it bring us into contact with
the motions of a human heart.
In the second half of the eighteenth century, philosophy, on the one
hand, invaded the novel and the short tale; on the other hand it was
invaded by a flood of sentiment. An irritated and irritating
sensuality could accommodate itself either to sentiment or to
philosophy. Voltaire's tales are, in narrative form, criticisms of
belief or opinion which scintillate with ironic wit. His disciple,
Marmontel, would "render virtue amiable" in his _Contes Moraux_
(1761), and cure the ravage of passion with a canary's song. His more
ambitious _Belisaire_ seems to a modern reader a masterpiece in the
_genre ennuyeux_. His _Incas_ is exotic without colour or credibility.
Florian, with little skill, imitated the _Incas_ and _Telemaque_,
or was feebly idyllic and conventionally pastoral as a follower of
the Swiss Gessner. Restif de la Bretonne could be gross, corrupt,
declamatory, sentimental, humanitarian in turns or all together.
Three names are eminent--that of Diderot, who flung his good and evil
powers, mingling and fermenting, into his novels as into all else;
that of Rousseau, who interpreted passion, preached its restraints,
depicted the charms of the domestic interior, and presented the
glories of external nature in _La Nouvelle Heloise_; that of Bernardin
de Saint-Pierre, who reaches a hand to Rousseau on the one side, and
on the other to Chateaubriand.
CHAPTER II
MONTESQUIEU--VAUVENARGUES--VOLTAIRE
I
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