A History of French Literature: Short Histories of the Literatures of the World: II.Dowden, Edward
History
A History of French Literature: Short Histories of the Literatures of the World: II.
Dowden, Edward
French literature -- History and criticism
Yet while the democratic imperialism was the direct offspring of the
Revolution with its social contract and its rights of man, it was
necessary to combat eighteenth-century ideas and defend the throne
and the altar. Great scientific names--Laplace, Bichat, Cuvier,
Lamarck--testify to the fact that a movement which made the eighteenth
century illustrious had not spent its force. Scholarship was laying
the bases for future constructions; Ginguene published in 1811 the
first volumes of his _Histoire Litteraire de l'Italie_; Fauriel and
Raynouard accumulated the materials for their historical, literary,
and philological studies. Philosophy was turning away from
sensationalism, which seemed to have said its final word, towards
spiritualist conceptions. Maine de Biran (1766-1824) found in the
primitive fact of consciousness--the _nisus_ of the will--and in the
self-recognition of the _ego_ as a cause, an escape from materialism.
Royer-Collard (1763-1845), afterwards more distinguished in
politics than he was in speculation, read for his class at the Sorbonne
from the Scottish philosophy of Reid, and turned it by his commentary
as a siege-train against the positions of Condillac.
The germs of new literary growths were in the soil; but the spring
came slowly, and after the storms of Revolution were spent, a chill
was in the air. Measureless hopes, and what had come of them? infinite
desire, and so poor an attainment! A disciple of Rousseau, who shared
in his sentiment without his optimistic faith, and who, like Rousseau,
felt the beauty of external nature without Rousseau's sense of its
joy, Etienne Pivert de SENANCOURT published in 1799 his _Reveries_,
a book of disillusion, melancholy atheism, and stoical resistance
to sadness, a resistance which he was unable to sustain. It was
followed in 1804 by _Obermann_, a romance in epistolary form, in which
the writer, disguised in the character of his hero, expresses a fixed
and sterile grief, knowing not what he needs, nor what he loves, nor
what he wills, lamenting without a cause and desiring without an
object. The glories of Swiss landscape, which quicken his imagination,
do not suffice to fill the void that is in his soul; yet perhaps in
old age--if ever it come--he may resign himself to the infinite
illusion of life. It is an indication of the current of the time that
fifteen years later, when the _Libres Meditations_ appeared,
Senancourt had found his way through a vague theopathy to autumnal
brightness, late-born hope, and tranquil reconcilement with
existence.
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