A History of French Literature: Short Histories of the Literatures of the World: II.Dowden, Edward
History
A History of French Literature: Short Histories of the Literatures of the World: II.
Dowden, Edward
French literature -- History and criticism
Indeed, while writing novels in this her second manner, she had found
her way; her third manner was attained before the second had lost
its attraction. _La Mare au Diable_ belongs to the year 1846; _La
Petite Fadette_, to the year of Revolution, 1848, which George Sand,
ever an optimist, hailed with joy; _Francois le Champi_ is but two
years later. In these delightful tales she returns from humanitarian
theories to the fields of Berri, to humble walks, and to the huts
where poor men lie. The genuine idyll of French peasant life was new
to French literature; the better soul of rural France, George Sand
found deep within herself; she had read the external circumstances
and incidents of country life with an eye as faithful in observation
as that of any student who dignifies his collection of human documents
with the style and title of realism in art; with a sense of beauty
and the instincts of affection she merged herself in what she saw;
her feeling for nature is realised in gracious art, and her art seems
itself to be nature.
In the novels of her latest years she moved from Berri to other regions
of France, and interpreted aristocratic together with peasant life.
Old, experienced, infinitely good and attaching, she has tales for
her grandchildren, and romances--_Jean de la Roche_, _Le Marquis de
Villemer_, and the rest--for her other grandchildren the public. The
soul of the peasant, of the artist, of the man who must lean upon
a stronger woman's arm, of the girl--neither child nor fully
adult--she entered into with deepest and truest sympathy. The simple,
austere, stoical, heroic man she admired as one above her. Her style
at its best, flowing without impetuosity, full and pure without
commotion, harmonious without complex involutions, can mirror beauty
as faithfully and as magically as an inland river. "Calme, toujours
plus calme," was a frequent utterance of her declining years. "Ne
detruisez pas la verdure" were her latest words. In 1876 George Sand
died. Her memoirs and her correspondence make us intimate with a
spirit, amid all its errors, sweet, generous, and gaining through
experience a wisdom for the season of old age.
IV
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