A History of French Literature: Short Histories of the Literatures of the World: II.Dowden, Edward
History
A History of French Literature: Short Histories of the Literatures of the World: II.
Dowden, Edward
French literature -- History and criticism
ADOLPHE THIERS (1797-1877) was engaged at the same time as Mignet,
his lifelong friend, upon a history of the French Revolution (1823-27).
The same liberal principles were held in common by the young authors.
Their methods differed widely: Mignet's orderly and compact
narration was luminous through its skilful arrangement; Thiers'
_Histoire_ was copious, facile, brilliant, more just in its general
conception than exact in statement, a plea for revolutionary
patriotism as against the royalist reaction of the day, and not
without influence in preparing the spirit of the country for the
approaching Revolution of July. His _Histoire du Consulat et de
l'Empire_ (1845-62) is the great achievement of Thiers' maturity;
journalist, orator, minister of state, until he became the chief of
stricken France in 1871 his highest claim to be remembered was this
vast record of his country's glory. He had an appetite for facts;
no detail--the price of bread, of soap, of candles--was a matter of
indifference to him; he could not show too many things, or show them
too clearly; his supreme quality was intelligence; his passion was
the pride of patriotism; his foible was the vanity of military success,
the zeal of a chauvinist. He was a liberal; but Napoleon summed up
France, and won her battles, therefore Napoleon, the great captain,
who "made war with his genius and politics with his passions," must
be for ever magnified. The _coup d'etat_ of the third Napoleon owed
a debt to the liberal historian who had reconstructed the Napoleonic
legend. The campaigns and battle-pieces of Thiers are unsurpassed
in their kind. His style in narrative is facile, abundant, animated,
and so transparent that nothing seems to intervene between the object
and the reader who has become a spectator; a style negligent at times,
and even incorrect, adding no charm of its own to a lucid presentation
of things.
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