A History of French Literature: Short Histories of the Literatures of the World: II.Dowden, Edward
History
A History of French Literature: Short Histories of the Literatures of the World: II.
Dowden, Edward
French literature -- History and criticism
The dainty trifles of the school of preciosity fluttered at least
during the sunshine of a day. Its ambitious epics, whatever attention
they may have attracted in their time, cannot be said to have ever
possessed real life. The great style is not to be attained by tagging
platitudes with points. The _Saint Louis_ of Lemoyne, the _Clovis_
of Desmarets de Saint-Sorlin, the _Alaric_ of Scudery, the
_Charlemagne_ of Louis le Laboureur remain only as evidences of the
vanity of misplaced ambition. During twenty years JEAN CHAPELAIN,
a man of no mean ability in other fields, was occupied with his _La
Pucelle d'Orleans_; twelve cantos at length appeared magnificently
in 1656, and won a brief applause; the remaining twelve cantos lie
still inedited. The matter of history was too humble for Chapelain's
genius; history is ennobled by an allegorical intention; France
becomes the soul of man; Charles, swayed between good and evil, is
the human will; the Maid of Orleans is divine grace. The satire of
Boileau, just in its severity, was hardly needed to slay the slain.
In the prose romances, which are epics emancipated from the trammels
of verse, there was more vitality. Bishop Camus, the friend of
Francois de Sales, had attempted to sanctify the movement which d'Urfe
had initiated; but the spirit of the _Astree_ would not unite in a
single stream with the spirit of the _Introduction a la Vie Devote_.
Gomberville is remembered rather for the remorseless war which he
waged against the innocent conjunction _car_, never to be admitted
into polite literature, than for his encyclopaedic romance
_Polexandre_, in which geography is illustrated by fiction, as
copious as it is fantastic; yet it was something to annex for the
first time the ocean, with all its marvels, to the scenery of adventure.
Gombauld, the _Beau Tenebreux_ of the Hotel de Rambouillet, secured
a reading for his unreadable _Endymion_ by the supposed transparence
of his allusions to living persons. Desmarets de Saint-Sorlin
relieved the amorous exaltations of his _Ariane_, a tale of the time
of Nero, by excursions which touch the borders of comedy. These are
books on which the dust gathers thick in ancient libraries.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account