In the year 1659, under the government of Pope Alexander VII., it was observed at Rome that many young married women were left widows, and that many husbands died when they became disagreeable to their wives. Several of the clergy declared also, that for some time past various persons had acknowledged at confession that they had been guilty of poisoning. As the government employed the utmost vigilance to discover these poisoners, suspicion fell upon a society of young married women, whose president appeared to be an old woman who pretended to foretell future events, and who had often predicted very exactly many deaths to persons who had cause to wish for them. To ascertain the truth, a crafty female, given out to be a person of considerable distinction, was sent to this old woman, pretending that she wished to obtain her confidence, and to procure some of her drops for a cruel and tyrannical husband. The whole society were by this stratagem arrested; and all of them, except the fortune-teller, whose name was Hieronyma Spara, confessed before they were put to the torture.--“Where now,” cried she, “are the Roman princes, knights and barons, who on so many occasions promised me their protection! Where are the ladies who assured me of their friendship! Where are my children whom I have placed in so distinguished situations!” In order to deter others from committing the like crime, one Gratiosa, Spara’s assistant, three other women, and the obstinate Spara herself, who still entertained hopes of assistance till the last moment, were hanged in the presence of innumerable spectators. Some months after, several more women were executed in the same manner; some were whipt, and others were banished from the country. Notwithstanding these punishments, the effects of this inveterate wickedness have been from time to time remarked. Le Bret, to whom we are indebted for the above account, says[122] that Spara was a Sicilian, and acquired her knowledge from Tophania at Palermo. If that be true, the latter must have been early initiated in villany, and must have become when very young a teacher of her infamous art. Keysler calls her a little old woman.