A History of Inventions, Discoveries, and Origins, Volume 2 (of 2)Beckmann, Johann
History
A History of Inventions, Discoveries, and Origins, Volume 2 (of 2)
Beckmann, Johann
Inventions -- History
I must, however, acknowledge that the last words of Pliny I do not
fully comprehend. They have not indeed been noticed by any commentator;
but I do not on that account believe that I am the only person to whom
they have been in part unintelligible. Savot and Watson[530], who were
undoubtedly capable of giving some decisive opinion on them, have
purposely left that part, which to me appears obscure, untranslated and
without any explanation. Pliny says, “Improbiores ad tertiarium additis
æquis partibus albi, argentarium vocant, et eo quæ volunt, incoquunt.”
He seems here to throw out a reproach against those who melted together
equal quantities of _tertiarium_ and pure tin, and then gave it the
name of _argentarium_, as if it had been of an inferior quality to the
_argentarium_ first named. But equal quantities of _tertiarium_ and
pure tin produced a mixture, in which for _one_ part of lead there
were _two_ of tin. How then could those who made this mixture be called
_improbiores_? To answer this question I shall venture to give my
conjecture. Pliny perhaps meant to say, that tinning properly ought to
be done with pure tin, but that unprincipled artists employed for that
purpose tin mixed with lead. If this be the true meaning, his reproach
was not unfounded. On the same account, because all tin was then
adulterated with lead, Galen gives cautions against the use of tinned
vessels, and advises people to preserve medicines rather in glass
or in golden vessels. But why does Pliny add, “ideo album nulli rei
sine mixtura utile?” In using these words, it is possible he may have
alluded, not to tinning, but to things cast of tin, which, according
to the ideas of that time or the nature of the tin, if of that metal
alone, would be too brittle. This seems to be said by the preceding
words, to which the _ideo_ refers: “albi natura plus aridi habet,
contraque nigri tota humida est, ideo album....” I hope the reader
will forgive me for entering so deeply into criticism; but if Pliny’s
valuable work is ever to become intelligible, occasional contributions
of this kind must not be despised.
Public-domain text, read in full here on John Shaqi.
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