Many, however, affirm that the art of glass-cutting, together with the necessary instruments, was first invented in the beginning of the seventeenth century. The inventor is said to have been Casper Lehmann, who originally was a cutter of steel and iron; and who made an attempt, which succeeded, of cutting crystal, and afterwards glass, in the like manner. He was in the service of the emperor Rodolphus II., who, in the year 1609, besides presents, conferred on him the title of lapidary and glass-cutter to the court, and gave him a patent by which every one except himself was forbidden to exercise this new art. He worked at Prague, where he had an assistant named Zacharias Belzer; but George Schwanhard the elder, one of his scholars, carried on the same business to a far greater extent. The latter, who was a son of Hans Schwanhard, a joiner at Rothenburg, was born in 1601; and in 1618 went to Prague to learn the art of glass-cutting from Lehmann. By his good behaviour he so much gained the esteem of his master, who died a bachelor in 1622, that he was left his heir; and obtained from the emperor Rodolphus a continuation of Lehmann’s patent. Schwanhard, however, removed to Nuremberg, where he worked for many of the principal nobility; and by these means procured to that city the honour of being accounted the birth-place of this new art. In the year 1652 he worked at Prague and Ratisbon by command of the emperor Ferdinand III., and died in 1667, leaving behind him two sons, who both followed the occupation of the father. The elder, who had the same christian name as the father, died so early as 1676; but the other, Henry, survived him several years. After that period Nuremberg produced in this art more expert masters, who, by improving the tools and devising cheaper methods of employing them, brought it to a much higher degree of perfection[208]. That the art is of so modern date seems to be confirmed by Zahn, who speaks of it as of a new employment carried on at that time, particularly at Nuremberg. He describes the work-table as well as the other instruments; and gives a figure of the whole, which he appears to have considered as the first[209]. It may be seen, however, from what I have already quoted, that this invention does not belong entirely to the moderns; and, to deny that the ancients were altogether unacquainted with it, would be doing them an injustice. It was forgotten and again revived; and this is the opinion of Caylus.