On the other hand, the devotion of the Italian writers to elegance
and symmetry of composition has rendered their literature a model for
cultured writers in all languages, has deeply influenced contemporary
literatures in their rudimentary stages, and has preserved many a
writer from oblivion whose original power was not conspicuous, whose
themes have long since become antiquated, but who still challenges the
attention of posterity by charm of style. “Cela qui n’est pas écrit
ne dure pas” is a rule without exception, and the converse is often,
though not always, true also. One highly important class of these
writers is that large section of the poets who modelled themselves
avowedly on the greatest master of style their literature possessed or
possesses, the man whose thoughts, often most precious in themselves,
are displayed to incomparable advantage by incomparable felicity of
expression.
Very few Italian lyrical poets of the sixteenth century ventured to
stray far from the traces of Petrarch, who became to them what Virgil
and Homer and Ovid had necessarily become to writers in Latin verse.
Had Petrarch excelled in epic as he excelled in lyric, Ariosto and
Tasso too would have been his humble followers, and the whole of
the poetical literature of the age would have been imitative, and
consequently second-rate. Yet, although the mass of this derivative
literature is intolerably empty and insipid, much is distinguished by a
perfection of expression which makes it not merely delightful reading
but a valuable study. The poets frequently seem to approach Petrarch
very nearly, but none reproduce him. Those succeed best whose imitation
is the least avowed, and who are most remote from their model in native
temperament, such as Tansillo; on the other hand, Bembo, Molza, and
their like, who in mere form have most nearly approached Petrarch by
most completely suppressing their own individuality, present much less
to interest modern readers, although their contemporaries, estimating
them from another point of view, extolled them to the skies.
Public-domain text, read in full here on John Shaqi.
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