Another poet of the eighteenth century deserves no less fame than
Parini, but has remained comparatively unknown from having written
in dialect. It is his compensation to be as decidedly at the head
of the Sicilian lyrists as Petrarch is at the head of the Tuscan;
nor is Sicilian in any degree a rude or barbarous idiom. Schools of
Sicilian poetry existed in the thirteenth, and again in the sixteenth
and seventeenth centuries, but all previous celebrities were eclipsed
by the brilliant achievements of GIOVANNI MELI (1740-1815). Meli can
hardly be paralleled either with Burns or with our English Theocritus,
William Barnes, for he possesses neither Burns’s tragic pathos and
withering satire, nor Barnes’s power of realistic description. But he
rivals Burns in simplicity and melody, and is capable of much loftier
lyric flights than Barnes; and if his satire does not brand or scathe,
it smiles and sparkles with genial humour. The lightness, ease, and
grace of his songs cannot be exceeded; his pastorals are worthy of a
countryman of Theocritus; and his mock-heroics, _Don Quixote_, and the
_Origin of the World_, though evincing less of poetical inspiration,
are effluences of genuine humour. His employment of the Sicilian
dialect was highly favourable to his genius by exempting him from all
obligation to write with academical constraint. It is most interesting
to find Wordsworth’s plea for a return to nature anticipated by a
Sicilian of the generally stiff and affected eighteenth century.
One of the most marked features of his poetry is its lively and
dramatic character, arising from the close observation of national
types, apparently just as they were observed by the ancient writers
of Sicilian mimes, Sophron and Epicharmus. “As in antiquity,” says
Paul Heyse, “so at this day, idyll, song, and mime are the species
of poetical composition allotted as the Sicilian heritage.” Meli
represented the national genius to perfection. His life was uneventful.
He is represented as an amiable, sensible, unassuming man, as much
of a Bacchus as consistent with sobriety, and as much of an Anacreon
as comported with an utter ignorance of Greek, an _abate_ of the old
school, attached, but not in a perverse or bigoted manner, to the
ancient social order, which, by the aid of British ships and troops,
maintained itself better in Sicily than elsewhere in Italy.
Public-domain text, read in full here on John Shaqi.
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