Although he often expresses in his verse his delight in revisiting the banks of the Sorga, his life from this time was chiefly spent in Upper Italy, much occupied by the discharge of diplomatic commissions from the Pope, the Venetian Republic, and the Lords of Milan and Padua; constantly appealing to the Avignon Popes to terminate the “Babylonish captivity” of the Church; vexed by the undutifulness of his natural son, but finding comfort in his daughter; indefatigable in collecting and transcribing manuscripts; giving, though himself ignorant of Greek, a powerful impulse to Hellenic studies by commissioning a Latin translation of Homer; producing many of his most pleasing minor Latin writings; and throwing his last energies into the apotheosis of Laura in his _Trionfi_. He went to Paris to congratulate John, King of France, on his release from captivity in England; and was present at the marriage of Lionel, Duke of Clarence, at Milan, where or soon afterwards he may possibly have encountered Chaucer. Boccaccio followed him with respectful homage, and almost his last literary labour was the Latin translation of the Florentine’s tale of _Patient Griselda_. The last four years of his life, though with many intervals of public business, were chiefly spent in his retirement at Arquá, a village in the Euganean Hills, where death overtook him as he bent over a book, July 20, 1374. He had virtually finished the _Trionfi_ about three months previously. We have devoted more space to the biography of Petrarch than to that of Dante, because, although Dante towers above him as a poet, Petrarch is the more important figure in Italian literary history. Dante stands alone: venerated as he was by his countrymen, and not wholly destitute of imitators, he yet founded no school, and his influence on the development of the Italian intellect is slight in comparison with Petrarch’s. Together with the great schoolman who quitted the world as he entered it, he sums up the Middle Age, which in him and Aquinas attains its highest development. Petrarch, on the other hand, is the representative Italian. He does not, like Dante, deliver, but is himself a prophecy: the future of Italian culture is prefigured in him. He was also the first to bestow on Italy an unquestioned supremacy in the world of literature, and was the earliest restorer of the republic of letters, a conception extinct in the ages of barbarism. In this restoration, transcending the limits of his own country, his Latin writings were necessarily more influential than his Italian[5], and although they do not properly belong to our subject, their great importance in the history of culture entitles them to a few words.