By Sannazaro’s time, then, it may be said that Italian literature
was fairly despatched on the route which it was to follow throughout
the golden Cinque Cento. Elegance, finish, polish were to be the
chief aims; form was to be esteemed at least on a par with matter;
the mediæval elements, as we find them in Dante, were to be kept in
abeyance. The classical tradition was to be taken up, and Italy was
to appear as the literary heiress of Rome; but not to the extent of
corrupting her own language with Latinisms. Such a tacit resolution
was admirable for raising and maintaining the standard of literary
composition, but was hostile to the development of transcendent genius.
FOOTNOTES:
[10] The best collection of popular Italian belletristic literature is
the _Canti e Racconti del Popolo Italiano_, in eight volumes, edited by
E. Comparetti and A. D’Ancona.
CHAPTER X
CHIVALRIC POETRY
The history of the Italian chivalric epic is one of the most
interesting departments of the story of literature, both on its own
account, and because it reveals as in a mirror the growth of the more
important epic of the tale of Troy. It arose out of a real event of the
deepest importance to Europe, but this it so disfigured by romance and
imagination as to be hardly recognisable. Charles Martel, the deliverer
of France from the Saracens, is confounded with another and still more
illustrious Charles, whose relations with the Saracen monarchs were
usually amicable; and, by what seems to be a universal law, this hero
comes to occupy but a corner of the temple nominally dedicated to
him, and his renown is transferred to creatures of pure imagination.
As Agamemnon, who at all events personifies the most powerful state
of primitive Greece, yields as a poetic hero to such historically
subordinate, if not absolutely fictitious personages as Achilles and
Ulysses; as the terrible Attila, the portent of his time, shrinks in
the Nibelungen Lied into the insignificant figure of Etzel; so, in the
romancer’s eye, the real glories of Charlemagne dwindle to nothing
before the petty skirmish of Roncesvalles.
Public-domain text, read in full here on John Shaqi.
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